{"id":38497,"date":"2022-04-01T08:13:21","date_gmt":"2022-03-31T23:13:21","guid":{"rendered":"https:\/\/clumsy.site\/en\/?p=38497"},"modified":"2022-10-28T09:43:58","modified_gmt":"2022-10-28T00:43:58","slug":"the-lands-architecture","status":"publish","type":"post","link":"https:\/\/clumsy.site\/en\/blog-the-lands-architecture\/","title":{"rendered":"The Land’s Architecture"},"content":{"rendered":"\n\n\tThe Land’s Architecture
\n\ub545\uc758 \uac74\ucd95\n\tText by Byoungsoo cho \uc870\ubcd1\uc218
\nTranslation by Mimi Park \ubc15\uc0c1\ubbf8\n\t

Good architecture highlights the inherent beauty of its natural surroundings, and, mare importantly, it allows for a more harmonious state of coexisting between humans and the natural world it occupies. It helps us to perceive our environment more intentionally and to experience the earth more actively and more viscerally.<\/p>\n\t\t\t\t\"ByoungSoo\n\t

Therefore, good architecture ultimately amounts to more than just balancing the design.with the immediately visible characteristics of a piece of land. Through a dedicated study to notice nuances like the flow of water on a given site, or the flow of wind, or the playful flow of line along the back of a rollicking ridge, and other such wonderful natural elements, novel interpretations of a site can be created to allow for richer experiences.<\/p>\n

Thus the ideology behind the excellent architecture is one that holds on highest regard the question of how to honor the existing nature, and allow the ground and the people to exist in dialogue with one another. It does not preoccupy itself with how to design a building that looks impressive.<\/p>\n

This ideology necessitates an in-depth consideration of not only the evident physical functions of a piece of land but also the inherent ecological and even emotive temperaments of the site. Architecture has the potential to transcend the state of being mere artificial constructs thrust over a piece of land and can emerge instead as a discourse in itself, through which the inherent value and dignity of that land can shine.<\/p>\n\t\t\t\t\"ByoungSoo\n\t

Through this process of recognizing architecture as a manifestation of nature, and humanity, it is possible to dismantle that rarefied notion that great architecture is necessarily composed of grandiose buildings that have nothing to do with everyday life. Instead, we can acknowledge that truly great architecture can be, perhaps must be, approachable and comfortable both in our lives and the nature in which it exists.<\/p>\n

Architecture for the land, or\u00a0Architecture of Land<\/em>, is sustainable. It is a modus operandi that, rather than bend the ground to its will, seeks to be fluent in the ways of the land; flowing and breaking with it, leaning into it, truly joining the earth. Moreover, the depth to which we genuinely know a piece of land dictates how much love and respect we can show for it in our work as architects. Through this process, it will be possible to make architecture that emerges from the site itself.\u00a0Unlike the great temples of ancient Greece, or the pyramids, or even Andrea Palladio’s (1508-1580), Villa la Rotonda (1571),\u00a0Architecture of Land<\/em>\u00a0more often expresses itself not in symmetrical, predictable shapes designed around a central space, but tends to embrace the curves of the Landscape. This kind of architecture tends to flow with the whole expression of the site, leaning against a hill, or riding the contours of the waterways, as if flowing in and out of the very state of existing independently of the ground, rather than perch atop the highest point of a piece of land. At its best, it allows not just the wind and the light, but also time and space, to flow through its whole being. The\u00a0Architecture of Land<\/em>\u00a0departs from the land and also arrives back to it.<\/p>\n\t\t\t\t\"\"\n\t

The\u00a0Architecture of Land<\/em>\u00a0must be concise. The land is always concise, and architecture cannot hope to become a part of the land if it is pompous, or obtrusive. Humility must oe evident in the composition of the spaces, in the construction materials, and even sometimes, the methods of the construction themselves.<\/p>\n\t\t\t\t\"\"\n\t

First, how can we make composition of the interior spaces concise, just so? We must start from the purest, most possible straightforward expression of the design, and from the adjust, not according to our preconceived notions of the spaces we want, but to the natural conditions of the ground we are building on. We have to use our creative faculties to imagine the space that could honor the form of the land we are on and also serve our needs. True luxury in architecture comes from the amicable relationship a building has with the land it exists on – therefore, there is always room for simplicity.<\/p>\n

Second, when it comes to the materials that comprise the spaces we are making, less is more. It is preferable to use three types of materials rather than four, or even two rat~er than three. We must use a moderation that matches the natural conditions of the site. The materials can vary in roughness and refinement, according, again, to the land. Through this restraint, we achieve a richness that resonates with a depth that is impossible to find through thoughtless noisiness in the materials.<\/p>\n

Third, the framework of the structure can be buried within the land, leaned up against it, or engage in other. ways of having a conversation with the ground. More so than in conventional architecture, it is essential to find novel solutions that confront the challenges of individual sites. In these solutions, architects must strive to be rational, organic, and creative, as nature’s solutions are.<\/p>\n\t\t\t\t\"\"\n\t

Thus,\u00a0Architecture of Land<\/em>, through aptness of design, materials, and structural considerations, becomes sustainable and bound up together with the earth. The land is sustainable; therefore, the Architecture of Land must, above all, be sustainable, ecological and otherwise.<\/p>\n

The\u00a0Architecture of Land<\/em>\u00a0not only showcases natural phenomena like the shifting sky and ensuing variations in the light; the turning over of seasons; or the rhythm of slopes, the wind, even flora and fauna. It can celebrate such phenomena by using the knowledge of these patterns and forces to situate its various parts to make use of them. For example, architecture partially buried in the ground can benefit from the existing geothermal dynamics to maintain warmth in the winter, and coolness in the summer. The pattern of wind across a particular parcel of land may follow the contours of the site, sending cooling forest air down along it. If there happens to be water along the way, the air will be even cooler. In the winter the wind may tend to brush up against the ridgeline, becoming milder in temperature and softer overall. When it is possible to find ways to influence temperature, ventilation and light in the spaces that are built, nature will be treated with respect. In such ways, the work can itself brea he and become living, just like the ecology inherent in mountains, in forests, and in the ground itself. Design that takes such factors into account can spring forth as if creating itself, revealing its solutions to the architect during work.<\/p>\n

When a house embraces the contours of the ground, even if small, the spaces that open up within can be well-organized so that it can hold much life, perhaps even more comfortably than in larger spaces. The\u00a0Architecture of Land<\/em>\u00a0can create small spaces that feel much larger. When small interior spaces pair with adequate exterior spaces and the two situations are in balanced relation to one another, it is possible to create a home that is a sort of ecosystem, where many different microclimates can be found within different areas. When architecture is bound up with the land, we can live lives in a way to experience space, and the surrounding ear.th and ecology, more personally and thoroughly.<\/p>\n

The\u00a0Architecture of Land<\/em>\u00a0is an at form rooted in the wisdom inherent in the land itself – it turns from the blind pursuit of rigid convention and preconceived notions of what buildings\u00a0 ought to be, and seeks, first and foremost, not to harm. lt is a matter of following the paths of light and wind and water, to build smaller so that we can live larger. It is architecture not of faraway ideals and ostentation, but one that is instead grounded in being precise, concise, modest. It can be an architecture of great humility, of less – not contrived minimalism, but more a wholesome emptiness, of space, of process, that leaves room to be filled with life, experiences, and understanding, tittle by little. It harbors an emptiness that is akin to the emptiness and modesty inherent in nature so that complements and is complemented by the natural environment that it inhabits. It is an architecture that seeks sustainability in every way. It is an architecture that knows that it cannot stand on its own without the stories of the land, the nature, the people, and it tells these stories, implicitly, in through its very presence.<\/p>\n\t

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\ub530\ub77c\uc11c \ub545\uc758 \uac74\ucd95\uc740 \uc801\ud569\ud55c \ub514\uc790\uc778, \uc7ac\ub8cc, \uadf8\ub9ac\uace0 \uad6c\uc870\ub97c \ud1b5\ud574 \uc9c0\uc18d\uac00\ub2a5\ud574\uc9c0\uace0 \uc9c0\uad6c\uc640 \uacb0\ubd80\ub41c\ub2e4. \ub545\uc740 \uc9c0\uc18d\uac00\ub2a5\ud558\ub2e4. \uadf8\ub7ec\ubbc0\ub85c, \ub545\uc758 \uac74\ucd95 \ub610\ud55c, \ubb34\uc5c7\ubcf4\ub2e4\ub3c4 \uc9c0\uc18d\uac00\ub2a5\ud558\uace0, \uc0dd\ud0dc\uc801\uc774\uc5b4\uc57c \ud55c\ub2e4.<\/p>\n

\ub545\uc758 \uac74\ucd95\uc740 \ub2e4\uc591\ud55c \uc790\uc5f0\ud604\uc0c1\ub4e4 – \uc989, \ud558\ub298\uacfc \ube5b\uc758 \ubcc0\ud654, \uacc4\uc808\uc758 \uc804\ud658 \ub610\ub294 \uacbd\uc0ac, \ubc14\ub78c, \uadf8\ub9ac\uace0 \ub3d9\uc2dd\ubb3c\uc758 \ub9ac\ub4ec\uae4c\uc9c0\ub3c4 \ubcf4\uc5ec\uc8fc\uace0 \ub2f4\uc544\ub0bc\uc218 \uc788\ub2e4. \ubcf4\uc5ec\uc8fc\ub294\uac83\uc5d0 \uadf8\uce58\uc9c0 \uc54a\uace0 \uc790\uc5f0\uc758 \uc9c8\uc11c\uc5d0 \ub300\ud55c \uc9c0\uc2dd\uc744 \ud65c\uc6a9\ud568\uc73c\ub85c\uc368 \ub610 \uc790\uc5f0\uc744 \uae30\ub150\ud560 \uc218 \uc788\ub2e4. \uc608\ub97c \ub4e4\uc5b4, \ubd80\ubd84\uc801\uc73c\ub85c \ub545\uc5d0 \ubb3b\ud78c \uac74\ucd95\uc740 \uc9c0\uc5f4\uc744 \uc0ac\uc6a9\ud558\uc5ec \uaca8\uc6b8\uc5d0\ub294 \ub530\ub73b\ud568\uc744, \uc5ec\ub984\uc5d0\ub294 \uc2dc\uc6d0\ud568\uc744 \uc720\uc9c0\ud560 \uc218 \uc788\ub2e4. \ud2b9\uc815 \ub545\uc744 \uac00\ub85c \uc9c0\ub974\ub294 \ubc14\ub78c\uc758 \ud328\ud134\uc740 \uadf8 \ub545\uc758 \uc724\uacfd\uc744 \ub530\ub77c \ucc28\uac00\uc6b4 \uc232 \uacf5\uae30\ub97c \ud758\ub824 \ubcf4\ub0b4\uae30\ub3c4 \ud55c\ub2e4. \uc774 \uacf5\uae30\ub294 \ubb3c\uc744 \ub9cc\ub098\uba74 \ub354\uc6b1 \uc2dc\uc6d0\ud574\uc9c0\uace0 \uaca8\uc6b8\uc5d0\ub294 \uc0b0\ub4f1\uc131\uc774\uc5d0 \ubd80\ub52a\ud600 \uc628\ub3c4\uac00 \uc628\ud654\ud574\uc9c0\uace0 \uc804\uccb4\uc801\uc73c\ub85c \ubd80\ub4dc\ub7ec\uc6cc\uc9c4\ub2e4. \uc6b0\ub9ac\ub294 \uac74\ucd95\uc758 \uacf5\uac04\uc5d0\uc11c\ub3c4 \uc628\ub3c4, \ud658\uae30, \ube5b\uc744 \uc870\uc808\ud558\ub294 \uc790\uc5f0\uc758 \ubc29\ubc95\ub4e4\uc744 \ucc3e\uc544\ub0c4\uc73c\ub85c\uc368 \uc8fc\uc704 \ud658\uacbd\uc744 \uc874\uc911\ud560 \uc218 \uc788\ub2e4. \uc774\ub7ec\ud55c \uac74\ucd95\uc740 \uc0b0, \uc232, \uadf8\ub9ac\uace0 \ub545\uc5d0 \ub0b4\uc7ac\ub41c \uc0dd\ud0dc\uc640 \ub9c8\ucc2c\uac00\uc9c0\ub85c \uadf8 \uc790\uccb4\uac00 \uc228\uc744 \uc26c\uace0 \uc0b4 \uc218 \uc788\ub2e4. \uc774\ub7ec\ud55c \uc694\uc18c\ub4e4\uc744 \uace0\ub824\ud55c \ub514\uc790\uc778\uc740 \ub9c8\uce58 \uc790\uc2e0\uc744 \ucc3d\uc870\ud558\ub294 \uac83\ucc98\ub7fc \uc0dd\uaca8\ub098\uba70, \uc791\uc5c5 \uc911\uc5d0 \uac74\ucd95\uac00\uc5d0\uac8c \uadf8 \uc2a4\uc2a4\ub85c \ud574\uacb0\ucc45\uc744 \ub4dc\ub7ec\ub0bc \uc218 \uc788\ub2e4.<\/p>\n

\uc9d1\uc774 \ub545\uc758 \uc724\uacfd\uc744 \ud3ec\uc6a9\ud560 \ub54c, \ube44\ub85d \uc791\ub354\ub77c\ub3c4 \uadf8 \uc548\uc5d0 \ud3bc\uccd0\uc9c0\ub294 \uacf5\uac04\uc740 \uc798 \uc870\uc9c1\ub418\uc5b4 \ub354 \ub9ce\uc740 \uc0b6\uc744 \ub2f4\uc544\ub0bc \uc218 \uc788\uc73c\uba70, \uc774\ub294 \ub2e8\uc21c\ud788 \ud06c\uae30\ub9cc \ud55c \uc9d1\ubcf4\ub2e4 \uc624\ud788\ub824 \uc548\uc815\uc801\uc77c \uac83\uc774\ub77c \uc0dd\uac01\ud55c\ub2e4. \ub545\uc758 \uac74\ucd95\uc740 \ub354 \ud070 \ub290\ub08c\uc744 \uc8fc\ub294 \uc5ec\ub7ec \uc791\uc740 \uacf5\uac04\ub4e4\uc744 \ub9cc\ub4e4 \uc218 \uc788\ub2e4. \uc791\uc740 \uc2e4\ub0b4\uacf5\uac04\uc774 \uc801\uc808\ud55c \uc678\ubd80\uacf5\uac04\uc744 \ub9cc\ub0a0\ub54c, \uadf8\ub9ac\uace0 \uc11c\ub85c\uac00 \uade0\ud615\uc744 \uc774\ub8f0\ub54c, \ub9c8\uce58 \ub2e4\uc591\ud55c \ubbf8\uc138\uae30\ud6c4\ub85c \uad6c\uc131\ub41c \ud558\ub098\uc758 \uc0b4\uc544\uc788\ub294 \uc0dd\ud0dc\uacc4\uc640 \uac19\uc740 \uc9d1\uc744 \ub9cc\ub4e4 \uc218 \uc788\uc744 \uac83\uc774\ub2e4. \uac74\ucd95\uc774 \ub545\uacfc \uacb0\ubd80\ub418\uc5b4 \uc788\uc744 \ub54c \uc6b0\ub9ac\ub294 \ub545\uacfc \ud558\ub098\ub41c \uc0b6\uc744 \uc0b4\uc544\ub0b4\uace0, \uc8fc\ubcc0 \uc9c0\uad6c\uc640 \uc0dd\ud0dc\ub97c \ubcf4\ub2e4 \uac1c\uc778\uc801\uc774\uace0 \uc2ec\ub3c4\uc788\uac8c \uacbd\ud5d8\ud558\uac8c \ub41c\ub2e4.<\/p>\n

\ub545\uc758 \uac74\ucd95\uc740 \ub545\uc5d0 \ub0b4\uc7ac\ub41c \uc9c0\ud61c\uc5d0 \ubfcc\ub9ac\ub97c \ub454 \uc608\uc220 \ud615\uc2dd\uc774\ub2e4. \uadf8\uac83\uc740 ‘\uac74\ucd95\uc774 \uc5b4\ub5a0\ud574\uc57c \ud558\ub294\uac00’\uc5d0 \ub300\ud55c \uc5c4\uaca9\ud55c \uad00\uc2b5\uacfc \uc120\uc785\uacac\uc744 \ub9f9\ubaa9\uc801\uc73c\ub85c \ub530\ub974\uc9c0 \uc54a\uc73c\uba70, \ubb34\uc5c7\ubcf4\ub2e4\ub3c4 \ud574\ub97c \ub07c\uce58\uc9c0 \uc54a\uc744 \uac83\uc744 \ucd94\uad6c\ud55c\ub2e4. \ube5b, \ubc14\ub78c, \uadf8\ub9ac\uace0 \ubb3c\uc758 \uae38\uc744 \ub530\ub974\uace0\uc790 \ud558\uba70, \uc6b0\ub9ac\uac00 \ub354 \ud06c\uac8c \uc0b4 \uc218 \uc788\ub3c4\ub85d \ub354 \uc791\uac8c \uc9d3\ub294\ub2e4. \uba3c \uc774\uc0c1\uacfc \uacfc\uc2dc\uac00 \uc544\ub2cc \uc815\ud655\ud558\uace0 \uac04\uacb0\ud558\uace0 \uacb8\uc190\ud55c \uac83\uc5d0 \uae30\ubc18\uc744 \ub454 \uac74\ucd95\uc774\ub2e4. \uc774\ub294 \uad49\uc7a5\ud788 \uacb8\uc190\ud55c \uac74\ucd95\uc77c \uc218 \uc788\ub2e4. \uc989, \uafb8\uba70\ub0b8 \ubbf8\ub2c8\uba40\ub9ac\uc998\uc774 \uc544\ub2c8\ub77c, \uc0b6, \uacfc\uc815, \uadf8\ub9ac\uace0 \uacbd\ud5d8\uc73c\ub85c \ucc44\uc6cc\uc9c8 \uc5ec\uc9c0\ub97c \ub0a8\uaca8\ub454, \uc5b4\uca4c\uba74 \ub354\uc6b1 \uc628\uc804\ud55c \ube44\uc6c0, \uacf5\uac04, \uadf8\ub9ac\uace0 \uacfc\uc815\uc5d0 \uad00\ud55c \uac83\uc774\ub2e4. \ub545\uc758 \uac74\ucd95\uc740 \uc790\uc5f0\uc18d\uc5d0 \uc788\ub294 \ube44\uc6c0\uacfc \uacb8\uc190\uacfc \ud761\uc0ac\ud55c \ube44\uc6c0\uc744 \ud488\uace0 \uc788\uc5b4 \uc8fc\uc704\uc758 \uc790\uc5f0\ud658\uacbd\uc5d0 \uc758\ud574 \ubcf4\uc644\ub418\uace0 \ub610 \uc790\uc5f0\uc744 \ubcf4\uc644\ud55c\ub2e4. \uc774\ub294 \ubaa8\ub4e0 \uba74\uc5d0\uc11c \uc9c0\uc18d\uac00\ub2a5\uc131\uc744 \ucd94\uad6c\ud558\ub294 \uac74\ucd95\ubb3c\uc774\ub2e4. \ub545\uacfc \uc790\uc5f0, \uadf8\ub9ac\uace0 \uc0ac\ub78c\uc758 \uc774\uc57c\uae30 \uc5c6\uc774\ub294 \uc2a4\uc2a4\ub85c \uc124 \uc218 \uc5c6\ub2e4\ub294 \uac83\uc744 \uc54c\uace0 \uc788\ub294 \uac74\ucd95\ubb3c\uc774\uba70, \uadf8 \uc874\uc7ac \uc790\uccb4\ub85c\uc368 \uc554\ubb35\uc801\uc73c\ub85c \uc774\ub7ec\ud55c \uc774\uc57c\uae30\ub4e4\uc744 \ub4e4\ub824\uc900\ub2e4.<\/p>\n\t

RELATED POSTS<\/p>\n\tThe CLUMSY Plan
\nAddress : 4Fl. 199 Itaewon-ro (Itaewon-dong) Yongsan-gu, Seoul
\nInquiry : 02 – 723 – 2973, info@thomasparkgallery.com
\n\uc774\uc6a9\uc57d\uad00<\/a>\u00a0 \uc815\uae30\uacfc\uae08\uc774\uc6a9\uc57d\uad00<\/a> \u00a0\uac1c\uc778\uc815\ubcf4\ucde8\uae09\ubc29\uce68<\/a>\n\n","protected":false},"excerpt":{"rendered":"

The Land’s Architecture \ub545\uc758 \uac74\ucd95 Text by Byoungsoo cho \uc870\ubcd1\uc218 Translation by Mimi Park \ubc15\uc0c1\ubbf8 Good architecture highlights the inherent beauty of its natural surroundings, and, mare importantly, it allows for a more harmonious state of coexisting between humans and the natural world it occupies. It helps us to perceive our environment more intentionally and…<\/p>\n","protected":false},"author":321,"featured_media":35929,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"tpl-no-header-footer.php","format":"standard","meta":{"footnotes":""},"categories":[161,158],"tags":[149],"class_list":["post-38497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-byoungsoo-cho","category-writing","tag-byoungsoo-cho"],"_links":{"self":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/users\/321"}],"replies":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/comments?post=38497"}],"version-history":[{"count":2,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38497\/revisions"}],"predecessor-version":[{"id":38932,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38497\/revisions\/38932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media\/35929"}],"wp:attachment":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media?parent=38497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/categories?post=38497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/tags?post=38497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}