{"id":38521,"date":"2022-04-01T09:15:32","date_gmt":"2022-04-01T00:15:32","guid":{"rendered":"https:\/\/clumsy.site\/en\/?p=38521"},"modified":"2022-10-28T09:19:28","modified_gmt":"2022-10-28T00:19:28","slug":"geometry-in-rebellion-mary-heilmann-02","status":"publish","type":"post","link":"https:\/\/clumsy.site\/en\/blog-geometry-in-rebellion-mary-heilmann-02\/","title":{"rendered":"Geometry in Rebellion: Mary Heilmann 02"},"content":{"rendered":"\n\n\tGeometry in Rebellion: Mary Heilmann
\n\ubc18\uace8\uc758 \uae30\ud558\ud559: \uba54\ub9ac \ud5e4\uc77c\ub9cc\n\t

02<\/p>\n\tText by John Yau\u00a0\uc874 \uc57c\uc6b0
\nTranslation by Mimi Park \ubc15\uc0c1\ubbf8\n\t

In\u00a0The First Small Red, Yellow, Blue<\/i>\u00a0(1975), which is twice as long as it is tall, Heilman fills the painting with three uneven rectangles. In this painting, which anticipates her later use of multiple panels, the ground changes from red to yellow to blue. The first rectangle is a solid red, whose right edge is ragged, turning it into an awkward monochrome abutting a ragged yellow rectangle, demarcated by an imperfect red band made with four squeegee strokes.<\/p>\n\t\t\t\t\"Mary\n\t

The irregular red band, defining the middle of the painting, encloses most of an irregular yellow rectangle. The yellow extending beyond the red bands suggests that each of the three uneven rectangles is made of two colors, even if that is not immediately apparent. With the irregular red band, the vertical band on the left aligns with the red rectangle’s slanting, ragged right edge. Everything Heilman does in the painting effects what she does next. The paintings are gauche and blunt, which is their strength. They are not trying to be polite and stay within the lines. She has undone geometry’s inflexibility and purity – at least as Kenneth Noland and Frank Stella manifest them in their celebrated paintings – clearing a space for herself and others in which unruliness can manifest itself.<\/p>\n

In\u00a01<\/i>st<\/i>\u00a0Three for Two: Red, Yellow, Blue<\/i>\u00a0(1975), Heilmann stacks two horizontal rectangles on top of each other, like children’s building blocks, within a vertical rectangle. The ground of the bottom half is blue, while the top half is yellow. The artist has used a squeegee to lay down a yellow band that conforms to the painting’s outer edges against the bottom blue ground,\u00a0 creating an uneven yellow frame within the blue rectangle.<\/p>\n\t\t\t\t\"\"\n\t

She echoes the process on the upper yellow ground, but this time with a red band. By changing the ground, which peeks through the two colored bands, and by using an odd number of colors within an even number of rectangles, she exposes one of the assumptions behind much geometric abstraction: it is all supposed to fit smoothly together. The deeper assumption is that an ideal painting – a perfect form – is ultimately achievable.\u00a0 Heilmann is having none of this.<\/p>\n

As she went about undoing geometry’s rigidity, she also began adding expressive content, at first in her use of personal titles. In\u00a0The Spiral (for Norman)<\/i>\u00a0(1977), she makes the wide, wobbly, red band running parallel to the painting’s four edges out of two Ls, with the yellow ground visible in the space between them. The artist’s hand is evident, but it is not holding a brush. While the painting may come off as casual and even offhand – as do the others from this period – clearly this is not the case. Rather, what is evident is the thoroughness of Heilmann’s assault on dominant conventions. If anything, the apparent offhandedness of Heilmann’s approach makes the work of older painters look stiff. By exposing her feelings, as she begins to do in these paintings, she reveals how uptight the abstract artists of an earlier generation were.<\/p>\n

In\u00a0The End<\/i>\u00a0(1978), which is not in this exhibition, a large horizontal rectangle is commanded by a red square that terminates at the painting’s left edge. By placing the red square on the far left, she undermines the rectangle’s stability while activating\u00a0 the tension between form and container. Red drips on the yellow ground beneath the red square are defiant presences that disrupt geometry’s association with orderliness – blood or tears leaking from the purity of the square. Without ever specifying what, according to her title, has come to an end, Heilmann’s destabilization of the rectangle and aleatory use of red suggest the cessation of something, which in turn evokes a sense of isolation, as if you are in grief but cannot share it.<\/p>\n

One senses in these early paintings Heilmann recognized that she wanted to see how much feeling she could inject into her painting through her use and placement of generic forms, and the colors she would make them. In order to move forward, she proceeded methodically. I think this aspect of her painterly intelligence is what informs her early “contrariness.” Or, as Creeley, speaking about Levertov said – and certainly this passage is especially applicable to Heilmann – her “passionate, whimsical heart committed to an adamantly determined mind.”<\/p>\n\t\t\t\t\"\"\n\t

In an earlier, related painting,\u00a0Sliding Square #1<\/i>\u00a0(1978), there are no drips on the work’s face, but there is on the left side, resulting in a work with a very different feeling. For one thing, the red square, which Heilmann has painted on the far left instead of the center, becomes a commentary on the centered forms (chevron, target, or square) employed by many older artists, from Josef Albers to Kenneth Noland. The placement on the far left also suggests movement – that painting and its forms are neither stable nor secure;\u00a0 they constitute an arena where change is inevitable. The large red drips on the side are the residue of a process using a squeegee, which the artist chooses to leave, rather than remove or cover over.<\/p>\n

Heilmann’s painting conveys the likelihood that, as William Butler Yeats astutely observed at another chaotic moment in history: “Things fall apart;\u00a0the centre cannot hold; Mere anarchy is\u00a0loosed upon the world.” Heilmann’s painting hints at that possibility, rather than trying to picture it. In this and other early paintings, restraint and expression hold each other together. At the same time, you see Heilmann’s growing mastery of her materials as well as her willingness to reject perfection. One thing about her growing mastery is that it is always at the service of a definable goal, that everything she does comes out of necessity.<\/p>\n

In\u00a0The Ghost Square<\/i>\u00a0(1976), she challenges the insistence that everything has to be on the painting’s surface. She does this making a yellow ground in which doesn’t quite center a lopsided blue square within the rectangle. Over the right half of the rectangle, and partially cover the blue square, she paints a smaller, semi-transparent yellow rectangle, essentially dividing the painting into two unequal halves. The second yellow rectangle covers the painting’s right half. Through its porous yellow ground you can see the ghost of the blue square embedded in the first layer. At the same time, within this second rectangle she has painted a solid blue square. Together, the two rectangles, one of which is partly semi-transparent, create a layered space.<\/p>\n\t\t\t\t\"Mary\n\t

In retrospect, it is clear that in the red, yellow, and blue paintings she did between 1974 and ’79, she was challenging formal conventions associated with geometric abstraction and minimalism. One could say that she confronted the rigid masculinity of large-scale geometric abstractions with a seemingly casual femininity. By 1979, she would expand upon these feelings in paintings such as\u00a0Enchantment\u00a0<\/i>and\u00a0Save the Last Dance for Me<\/i>\u00a0(both 1979), when she began using pink and black to conjure up proms and rock ‘n roll songs of love and heartbreak. What the paintings that preceded them prove is that once Heilmann took up painting, she was able to come to terms with the ferocity of her ambition to make something new and enduring under the sun.<\/p>\n\t

\n\n\n\n\n\n\n\n

\ud5e4\uc77c\ub9cc\uc740 \uc218\ud3c9\uc73c\ub85c \uae34 \uadf8\ub9bc <\uccab\ubc88\uc9f8 \uc791\uc740 \ube68\uac15, \ub178\ub791, \ud30c\ub791(1975)>\uc744 \uace0\ub974\uc9c0 \uc54a\uc740 \uc0ac\uac01\ud615 \uc138 \uac1c\ub85c \ucc44\uc6b4\ub2e4. \ub098\uc911\uc5d0 \uc5ec\ub7ec \uac1c\uc758 \ud328\ub110 \uc791\uc5c5\uc744 \uc608\uacac\ud558\uac8c \ud558\ub294 \uc774 \uc791\ud488\uc758 \ubc14\ud0d5\uc0c9\uc740 \ube68\uac15\uc5d0\uc11c \ub178\ub791, \uadf8\ub9ac\uace0 \ud30c\ub791\uc73c\ub85c \uc9c4\uc804\ub41c\ub2e4. \uccab\ubc88\uc9f8 \uc0ac\uac01\ud615\uc740 \uaf49 \ucc2c \ube68\uac15\uc774\uace0 \uadf8 \uc624\ub978\ucabd \ubaa8\uc11c\ub9ac\ub294 \uad6c\ubd88\uad6c\ubd88\ud558\ub2e4. \uadf8 \uc606\uc73c\ub85c \uad6c\ubd88\uac70\ub9ac\ub294 \ub178\ub791 \uc0ac\uac01\ud615\uc774 \uadf8\ub824\uc9c0\uace0, \uc5ec\uae30\uc5d4 \ub2e4\uc2dc \uc2a4\ud034\uc9c0\ub97c \ub124 \ubc88 \ubc00\uc5b4 \uadf8\ub9b0 \ubd88\uc644\uc804\ud55c \ube68\uac15 \uc0ac\uac01\ud615\uc774 \ub9de\ub2ff\uc544\uc788\ub2e4.<\/p>\n\n\n\n\n\n\n\n<\/section>\n\t\t\t\t\"Mary\n\t

\ubd88\uaddc\uce59\ud558\uac8c \uc0dd\uae34 \ube68\uac15 \uc0ac\uac01\ud615 \ub760\ub294 \uc911\uc559\uc5d0 \uc5ed\uc2dc \ubd88\uaddc\uce59\ud55c \ub178\ub791 \uc0ac\uac01\ud615\uc744 \uac10\uc2f8\uace0 \uc788\ub2e4. \uc798 \ubcf4\uba74, \ud5e4\uc77c\ub9cc\uc774 \ub450 \uac1c\uc758 \uc0c9\uc73c\ub85c \uc138 \uac1c\uc758 \ubd88\uaddc\uce59\ud55c \uc0ac\uac01\ud615\uc744 \uadf8\ub838\ub2e4\ub294 \uc0ac\uc2e4\uc744 \uc54c \uc218 \uc788\ub2e4. \uc774 \uadf8\ub9bc\uc5d0\uc11c \uc2dc\ub3c4\ud55c \uac83\ub4e4\uc740 \ub2e4\uc74c \uadf8\ub9bc\uc5d0 \uc601\ud5a5\uc744 \uc900\ub2e4. \uc774 \uadf8\ub9bc\ub4e4\uc740 \uc11c\ud234\uace0 \ud22c\ubc15\ud55c \ub370 \uadf8\uac8c \uc774\ub4e4\uc758 \uac15\uc810\uc774\ub2e4. \uc774\ub4e4\uc740 \uc608\uc758\ubc14\ub974\uac8c \uc120 \uc548\uc5d0 \uba38\ubb34\ub974\uc9c0 \uc54a\ub294\ub2e4. \uadf8\ub140\ub294 \uae30\ud558\ud559\uc758 \uc735\ud1b5\uc131 \uc5c6\uc74c\uacfc \uc21c\uc218\ud568-\uc801\uc5b4\ub3c4 \ucf00\ub124\uc2a4 \ub180\ub780\ub4dc\uc640 \ud504\ub7ad\ud06c \uc2a4\ud154\ub77c\uac00 \uadf8\ub4e4\uc758 \uc791\uc5c5\uc5d0\uc11c \ubcf4\uc5ec\uc900-\uc744 \ud5c8\ubb3c\uace0 \uadf8\ub140 \uc790\uc2e0\uacfc \ub2e4\ub978 \uc0ac\ub78c\ub4e4\uc774 \uaf2d \uadf8\ub807\uc9c0 \uc54a\uc544\ub3c4 \ub41c\ub2e4\ub294 \uac83\uc744, \uace0\ubd84\uace0\ubd84\ud558\uc9c0 \uc54a\uc544\ub3c4 \ub41c\ub2e4\ub294 \uac00\ub2a5\uc131\uc744 \uc5f4\uc5b4\ub193\uc558\ub2e4.<\/p>\n

<\ub450 \uac1c\ub97c \uc704\ud55c \uccab\ubc88\uc9f8 \uc14b: \ube68\uac15, \ub178\ub791, \ud30c\ub791(1975)>\uc5d0\uc11c \ud5e4\uc77c\ub9cc\uc740 \ub450 \uac1c\uc758 \ub119\uc801\ud55c \uc0ac\uac01\ud615\uc744, \uc544\uc774\ub4e4\uc758 \ube14\ub7ed\uc313\uae30\ucc98\ub7fc, \uc218\uc9c1\uc758 \uc0ac\uac01\ud615 \uc548\uc5d0 \uc544\ub798 \uc704\ub85c \uc313\uc558\ub2e4. \uc544\ub798 \uc0ac\uac01\ud615\uc758 \ubc14\ud0d5\uc0c9\uc740 \ud30c\ub791\uc0c9\uc774\uace0 \uc704 \uc808\ubc18\uc740 \ub178\ub791\uc0c9\uc774\ub2e4. \ud5e4\uc77c\ub9cc\uc740 \uc2a4\ud034\uc9c0\ub85c \ub178\ub791 \uc0ac\uac01\ud615 \ub760\ub97c \ud30c\ub791\uc0c9 \ubc14\ud0d5 \uc704\uc5d0 \ubaa8\uc11c\ub9ac\uae4c\uc9c0 \ub2ff\uac8c \uadf8\ub824\uc11c \ub611\ubc14\ub974\uc9c0 \uc54a\uc740 \ub178\ub791\uc0c9 \ud2c0\uc744 \uadf8\ub824\ub123\uc5c8\ub2e4.<\/p>\n

\uadf8\ub140\ub294 \uc704\ucabd\uc758 \ub178\ub791\uc0c9 \ubc14\ud0d5\uc5d0\uc11c \ub611\uac19\uc740 \uacfc\uc815\uc744 \ubc18\ubcf5\ud558\ub294\ub370, \uc774\ubc88\uc5d0\ub294 \ube68\uac15\uc0c9 \uc0ac\uac01\ud615 \ub760\ub97c \uadf8\ub9b0\ub2e4. \ubc14\ud0d5\uc0c9\uc744 \ubc14\uafb8\uba74\uc11c, \uadf8\ub9ac\uace0 \uc9dd\uc218\uc758 \uc0ac\uac01\ud615\uc744 \ud640\uc218\uc758 \uc0c9\uc73c\ub85c \uadf8\ub824\uc11c \uae30\ud558\ud559 \ucd94\uc0c1 \ud68c\ud654\uc5d0 \uae54\ub9b0 \ud558\ub098\uc758 \uac00\uc124-\ubaa8\ub4e0 \uac83\uc740 \ubd80\ub4dc\ub7fd\uac8c \ub9de\uc544 \ub5a8\uc5b4\uc838\uc57c \ud55c\ub2e4\ub294-\uc5d0 \ub3c4\uc804\ud55c\ub2e4. \uadf8\ubcf4\ub2e4 \ub354\ud55c \uac00\uc124\uc778 \uc774\uc0c1\uc801\uc778 \ud68c\ud654, \uc989 \uc644\ubcbd\ud55c \ud615\ud0dc\ub77c\ub294 \uac8c \uc788\ub2e4\ub294 \uac83\uc778\ub370, \ud5e4\uc77c\ub9cc \uadf8\ub9bc\uc5d0\ub294 \uc774 \ub450 \uac00\uc124 \ubaa8\ub450 \uc874\uc7ac\ud558\uc9c0 \uc54a\ub294\ub2e4.<\/p>\n\t\t\t\t\"Mary\n\t

\ud5e4\uc77c\ub9cc\uc740 \uae30\ud558\ud559\uc758 \uacbd\uc9c1\uc131\uc744 \ud5c8\ubb34\ub294 \ub3d9\uc2dc\uc5d0, \uac1c\uc778\uc801\uc778 \ub0b4\uc6a9\uc758 \uc81c\ubaa9\uc744 \uc0ac\uc6a9\ud558\uba74\uc11c \ud45c\ud604\uc801\uc778 \uac00\ub2a5\uc131\uc744 \ub354\ud588\ub2e4. <\uc18c\uc6a9\ub3cc\uc774(\ub178\uba3c\uc5d0\uac8c)(1977)> \uc5d0\uc11c \uadf8\ub140\ub294 \ub119\uc801\ud558\uace0 \uad6c\ubd88\uac70\ub9ac\ub294 \ube68\uac15 \ub760\ub97c \uadf8\ub9bc\uc758 \ub124 \ubaa8\uc11c\ub9ac\uc5d0 \ud3c9\ud589\ud558\uac8c \uadf8\ub838\ub2e4. \ub178\ub780 \ubc14\ud0d5\uc0c9\uc774 \uadf8 \uc0ac\uc774\ub85c \ubcf4\uc778\ub2e4. \uc791\uac00\uc758 \uc190\ub180\ub9bc\uc774 \uba85\ubc31\ud558\uc9c0\ub9cc \ubd93\uc790\uad6d\uc740 \ubcf4\uc774\uc9c0 \uc54a\ub294\ub2e4. \uc774 \uadf8\ub9bc\uc774 \uc27d\uac8c, \ub9c9 \uadf8\ub9b0 \uac83\ucc98\ub7fc \ubcf4\uc77c \uc218 \uc788\uc9c0\ub9cc \uc2e4\uc81c\ub85c \uadf8\ub807\uc9c0 \uc54a\ub2e4. \uc5ec\uae30\uc11c \ubd84\uba85\ud55c \uac83\uc740 \uc778\uc2b5\uc5d0 \ub300\ud55c \ud5e4\uc77c\ub9cc\uc758 \ucca0\uc800\ud55c \uacf5\uaca9\uc774\ub2e4. \ub9c9 \uadf8\ub9b0 \uac83 \uac19\uc740 \uadf8\ub140\uc758 \ubc29\ubc95\ub860\uc740 \uc120\ubc30 \uc791\uac00\ub4e4\uc758 \uc791\uc5c5\uc744 \uacbd\uc9c1\ub418\uc5b4 \ubcf4\uc774\uac8c \ud55c\ub2e4. \uadf8\ub140\ub294 \uadf8\ub9bc \uc18d\uc5d0 \uac10\uc815\uc744 \ud45c\ud604\ud568\uc73c\ub85c\uc368 \uadf8 \uc804\uc2dc\ub300 \ucd94\uc0c1\uc791\uac00\ub4e4\uc774 \uc5bc\ub9c8\ub098 \uae50\uae50\ud588\uc5c8\ub294\uc9c0\ub97c \ubcf4\uc5ec\uc900\ub2e4.<\/p>\n

\uc774 \uc804\uc2dc\uc5d0\ub294 \ud3ec\ud568\ub418\uc9c0 \uc54a\uc740 <\ub05d (1978)>\uc740 \ube68\uac04\uc0c9 \uc815\uc0ac\uac01\ud615\uc774 \uc218\ud3c9\uc73c\ub85c \uae34, \ud070 \uc0ac\uac01\ud615 \uc704\uc5d0 \uc67c\ucabd \ud654\uba74 \ub05d\uae4c\uc9c0 \ub9de\ub2ff\uc544 \ub05d\ub098\ub294 \uadf8\ub9bc\uc774\ub2e4. \ube68\uac04 \uc815\uc0ac\uac01\ud615\uc744 \uc67c\ucabd \ub05d\uc73c\ub85c \uce58\uc6b0\uce58\uac8c \ud558\uba74\uc11c \uc0ac\uac01\ud615\uc774 \uac00\uc9c0\ub294 \uc548\uc815\uc131\uc744 \uc57d\ud654\uc2dc\ud0a4\uace0 \ub3d9\uc2dc\uc5d0 \ud615\ud0dc\uc640 \ub0b4\uc6a9 \uac04\uc5d0 \uae34\uc7a5\uac10\uc744 \uc720\ubc1c\ud55c\ub2e4. \ub178\ub780 \ubc14\ud0d5 \uc704\uc5d0 \ub5a8\uc5b4\uc9c4 \ube68\uac04\uc0c9 \ubb3c\uac10\uc740, \ub9c8\uce58 \uc815\uc0ac\uac01\ud615\uc758 \uc21c\uc218\ud568\uc5d0\uc11c \uc0c8\uc5b4\ub098\uc628 \ud53c\ub098 \ub208\ubb3c\ucc98\ub7fc, \uae30\ud558\ud559\uc740 \uc9c8\uc11c\uc815\uc5f0\ud574\uc57c \ud55c\ub2e4\ub294 \uace0\uc815\uad00\ub150\uc5d0 \uc800\ud56d\ud55c\ub2e4. \uc774 \uadf8\ub9bc\uc758 \uc81c\ubaa9\uc740 \ubb34\uc5c7\uc774 \ub05d\uc778\uc9c0 \uad6c\uccb4\uc801\uc73c\ub85c \ub9d0\ud574\uc8fc\uc9c0 \uc54a\uc9c0\ub9cc \ud5e4\uc77c\ub9cc\uc774 \uc0ac\uac01\ud615\uc758 \uc548\uc815\uc131\uc744 \uae68\ub728\ub9ac\uace0 \uc6b0\uc5f0\ud788 \ub5a8\uc5b4\uc9c4 \ube68\uac04 \ubb3c\uac10\uc744 \uadf8\ub0e5 \ub454 \uac83\uc740 \ubb34\uc5b8\uac00 \ub05d\ub0ac\ub2e4\ub294 \uac83\uc744 \uc554\uc2dc\ud558\uace0, \uc774\ub294 \ub2e4\uc2dc \uace0\ub9bd\uac10\uc744 \uc900\ub2e4. \ub9c8\uce58 \uc2ac\ud514\uc5d0 \uc7a0\uacbc\uc9c0\ub9cc \ub098\ub20c \uc218 \uc5c6\ub294 \uac83\ucc98\ub7fc.<\/p>\n

\uc774 \ucd08\uae30\uc791\ub4e4\uc744 \ubcf4\uba74 \ud5e4\uc77c\ub9cc\uc774 \uc774 \ud3c9\ubc94\ud55c \ud615\ud0dc\ub4e4\uc744 \uc5b4\ub5bb\uac8c \uc0ac\uc6a9\ud558\uace0 \ubc30\uce58\ud558\ub294\uac00\uc5d0 \ub530\ub77c, \ub610 \uc0c9\uc758 \uc0ac\uc6a9\uc5d0 \ub530\ub77c \uc5b4\ub5a4 \uac10\uc815\ub4e4\uc744 \ud45c\ud604\ud560 \uc218 \uc788\ub294\uc9c0 \ubcf4\ub824\uace0 \ud588\ub358 \uac83\uc744 \ub290\ub084 \uc218 \uc788\ub2e4. \uadf8\ub140\ub294 \ucc28\uadfc\ucc28\uadfc \ub354 \ub098\uc544\uac14\ub2e4. \uc774\ub7ec\ud55c \ud68c\ud654\uc801 \uc9c0\ub2a5\uc774 \uadf8\ub140\uc758 \ucd08\uae30\uc758 “\ubc18\uace8 \uae30\uc9c8”\uc744 \ubc1c\uc804\uc2dc\ud0ac \uc218 \uc788\uc5c8\ub2e4. \ub610\ub294 \ud06c\ub9b4\ub9ac\uac00 \ub808\ubc84\ud1a0\ube0c\uc5d0 \ub300\ud574\uc11c \ub9d0\ud55c \uac83\ucc98\ub7fc \uadf8\ub140\uc758\u00a0 “\uc5f4\uc815\uc801\uc774\uace0 \uc7ac\ubbf8\ub09c \ub9c8\uc74c\uc774 \uc644\uace0\ud55c \uc758\uc9c0\uac00 \ub418\uae30\ub85c \ud55c \uac83\uc774\ub2e4.”<\/p>\n\t\t\t\t\"\"\n\t

\uc5ed\uc2dc \ucd08\uae30\uc791\uc774\uace0 \uad00\ub828\ub41c \uc791\ud488\uc778 <\uc0ac\uac01\ud615\uc744 \ubc00\ub2e4 #1>\uc5d0\uc11c\ub294 \uadf8\ub9bc \uc815\uba74\uc5d0\ub294 \ub5a8\uc5b4\uc9c4 \ubb3c\uac10 \uc790\uad6d\uc774 \uc5c6\uace0 \uc67c\ucabd \ud45c\uba74\uc5d0\ub9cc \uc788\ub2e4. \uc774\ub294 \ub9e4\uc6b0 \ub2e4\ub978 \ub290\ub08c\uc744 \ub0b3\ub294\ub2e4. \ud55c\uac00\uc9c0\ub294 \ud5e4\uc77c\ub9cc\uc774 \uc911\uc559\uc774 \uc544\ub2c8\ub77c \uc67c\ucabd \ub05d\uc5d0 \uce60\ud55c \ube68\uac04 \uc0ac\uac01\ud615\uc740 \uc870\uc138\ud504 \uc54c\ubc84\uc2a4\uc5d0\uc11c \ucf00\ub124\uc2a4 \ub180\ub780\ub4dc\uae4c\uc9c0 \uc911\uc559\uc774 \uc788\ub294 \ud615\ud0dc(v\uc790 \ud615\ud0dc, \uacfc\ub158, \ub610\ub294 \uc815\uc0ac\uac01\ud615)\uc5d0 \ub300\ud55c \ub17c\ud3c9 \uac19\uc774 \ub290\uaef4\uc9c4\ub2e4. \uc0ac\uac01\ud615\uc744 \uc67c\ucabd \ub05d\uc5d0 \uc704\uce58\uc2dc\ud0a8 \uac83\uc740 \ub610\ud55c \uc6c0\uc9c1\uc784\uc744 \uc554\uc2dc\ud55c\ub2e4. \uadf8\ub9bc\uacfc \uadf8 \ud615\ud0dc\ub294 \uc548\uc815\ub418\uc9c0\ub3c4, \uc548\uc804\ud558\uc9c0\ub3c4 \uc54a\ub2e4. \uc774\ub4e4\uc740 \ubcc0\ud654\uac00 \ubd88\uac00\ud53c\ud55c \uc601\uc5ed\uc5d0 \uc704\uce58\ud574\uc788\ub294 \uac83\uc774\ub2e4. \ucee4\ub2e4\ub780 \ube68\uac04\uc0c9 \ubb3c\uac10\uc740 \uc2a4\ud034\uc9c0\ub97c \uc0ac\uc6a9\ud55c \uacfc\uc815\uc758 \uc0b0\ubb3c\uc774\uace0, \uc791\uac00\uac00 \uc9c0\uc6b0\uc9c0 \uc54a\uace0 \ub0a8\uaca8\ub454 \uc120\ud0dd\uc758 \uc0b0\ubb3c\uc774\ub2e4.<\/p>\n

\uc70c\ub9ac\uc5c4 \ubc84\ud2c0\ub7ec \uc608\uc774\uce20\uac00 “\ubb34\ub108\uc9c4\ub2e4, \uc911\uc2ec\uc774 \ud754\ub4e4\ub9b0\ub2e4. \ubb34\uc9c8\uc11c\uac00 \uc138\uc0c1\uc5d0 \ud37c\uc84c\ub2e4.”\ub77c\uba70 \uc5ed\uc0ac \uc18d \ud63c\ub780\uc758 \uc21c\uac04\uc744 \ub0a0\uce74\ub86d\uac8c \ud1b5\ucc30\ud55c \uac83\ucc98\ub7fc \ud5e4\uc77c\ub9cc\uc758 \uadf8\ub9bc\ub3c4 \uadf8\ub7f0 \uac00\ub2a5\uc131\uc744 \uc804\ub2ec\ud558\uace0 \uc788\ub2e4. \uadf8\ub140\uc758 \uadf8\ub9bc\uc740 \uadf8 \uc0c1\ud0dc\ub97c \uadf8\ub9b0\ub2e4\uae30 \ubcf4\ub2e4 \uadf8 \uac00\ub2a5\uc131\uc744 \uc554\uc2dc\ud55c\ub2e4. \uadf8\ub140\uc758 \ucd08\uae30\uc791\uc5d0\uc11c \uc808\uc81c\uc640 \ud45c\ud604\uc740 \uc11c\ub85c\ub97c \ubd99\uc7a1\uace0 \uc788\ub2e4. \ub610, \ud5e4\uc77c\ub9cc\uc774 \uc7ac\ub8cc\ub97c \ub2e4\ub8e8\ub294 \uae30\uc220\uc774 \uc810\uc810 \uc6d0\uc219\ud574\uc9c0\uba74\uc11c \uc644\ubcbd\ud568\uc5d0 \uc800\ud56d\ud558\ub294 \uc758\uc9c0 \ub610\ud55c \uac15\ud574\uc9c4\ub2e4. \uadf8\ub140\uc758 \uae30\uc220\uc801\uc778 \uc6d0\uc219\ud568\uc740 \uc5b8\uc81c\ub098 \ub354 \ud070 \ubaa9\ud45c\ub97c \uc704\ud55c \uac83\uc774\uace0, \uadf8\ub140\uac00 \ud558\ub294 \ubaa8\ub4e0 \uac83\uc740 \ud544\uc694\uc5d0\uc11c \ub098\uc628 \uac83\uc774\ub2e4.<\/p>\n

<\uc720\ub839 \uc0ac\uac01\ud615(1976)>\uc5d0\uc11c \uadf8\ub140\ub294 \ubaa8\ub4e0 \uac83\uc774 \uadf8\ub9bc\uc758 \ud45c\uba74 \uc704\uc5d0 \uc788\uc5b4\uc57c \ud55c\ub2e4\ub294 \uc0ac\uc2e4\uc5d0 \ub3c4\uc804\ud55c\ub2e4. \uadf8\ub140\ub294 \ub178\ub780\uc0c9 \ubc14\ud0d5 \uc704\uc5d0 \uae30\uc6b8\uc5b4\uc9c4 \ud30c\ub780 \uc815\uc0ac\uac01\ud615\uc744 \uc911\uc559\uc5d0\uc11c \uc57d\uac04 \ube44\uaef4\uac04 \uacf3\uc5d0 \uc704\uce58\uc2dc\ud0a4\uba74\uc11c \uc774 \uc77c\uc744 \ud55c\ub2e4. \uc0ac\uac01\ud615\uc758 \uc624\ub978\ucabd \uc808\ubc18\uc744 \ucc28\uc9c0\ud558\ub294, \ub3d9\uc2dc\uc5d0 \ud30c\ub780 \uc815\uc0ac\uac01\ud615\uc744 \uc57d\uac04 \uac00\ub9ac\ub294 \uc870\uadf8\ub9e3\uace0 \ubc18\ucbe4 \ud22c\uba85\ud55c \ub178\ub780\uc0c9 \uc0ac\uac01\ud615\uc744 \uadf8\ub824\ub123\uc5b4\uc11c \uadf8\ub9bc\uc744 \ube44\ub300\uce6d\uc73c\ub85c \ubc18\uc744 \ub098\ub208\ub2e4. \ub450\ubc88\uc9f8 \ub178\ub780 \uc0ac\uac01\ud615\uc740 \uadf8\ub9bc\uc758 \uc624\ub978\ucabd \uc808\ubc18\uc744 \ucc28\uc9c0\ud55c\ub2e4. \uc774 \ubc18\ud22c\uba85\uc758 \ub178\ub780\uc0c9\uc744 \ud1b5\ud574 \ubc11\uc5d0 \uae54\ub824\uc788\ub294 \ud30c\ub780 \uc815\uc0ac\uac01\ud615\uc758 \uc720\ub839\uc744 \ubcfc \uc218 \uc788\ub2e4. \ub3d9\uc2dc\uc5d0 \uc774 \ub450\ubc88\uc9f8 \uc0ac\uac01\ud615 \uc704\uc5d0 \uadf8\ub140\ub294 \uaf49 \ucc2c \ud30c\ub780\uc0c9 \uc815\uc0ac\uac01\ud615\uc744 \uadf8\ub824\ub123\uc5c8\ub2e4. \uc774 \ub450 \uac1c\uc758 \uc0ac\uac01\ud615\uc740 \ud568\uaed8 \uacb9\uc774 \uc788\ub294 \uacf5\uac04\uc744 \ub9cc\ub4e4\uc5b4\ub0b8\ub2e4.<\/p>\n

\ub3cc\uc774\ucf1c\ubcf4\uba74 1974\ub144\uacfc 1979\ub144 \uc0ac\uc774 \uadf8\ub140\uac00 \uadf8\ub9b0 \uc801, \ud669, \uccad\uc0c9\uc758 \uadf8\ub9bc\ub4e4\uc774 \uae30\ud558\ud559\uc801 \ucd94\uc0c1\uacfc \ubbf8\ub2c8\uba40\ub9ac\uc998\uacfc \uc5f0\uad00\ub41c \ud615\uc2dd\uc801\uc778 \uc804\ud1b5\uc5d0 \ub3c4\uc804\ud558\uace0 \uc788\uc5c8\ub358 \uac83\uc774 \ubd84\uba85\ud558\ub2e4. \uc6b0\ub9ac\ub294 \uadf8\ub140\uac00 \ub300\ud615 \uae30\ud558\ud559\uc801 \ucd94\uc0c1 \ud68c\ud654\ub85c \ub300\ud45c\ub418\ub294 \uacbd\uc9c1\ub41c \ub0a8\uc131\uc131\uc744 \uc77c\uacac \uce90\uc8fc\uc5bc\ud558\uac8c \ubcf4\uc774\ub294 \uc5ec\uc131\uc131\uc73c\ub85c \ub9de\uc130\ub2e4\uace0 \ud560 \uc218 \uc788\uc744 \uac83\uc774\ub2e4. 1979\ub144\uc5d0 \uc640\uc11c\ub294 \uadf8\ub140\uac00 \ud68c\ud654\uc5d0 \ud45c\ud604\ud558\ub358 \uac10\uc815\uc744 <\ud669\ud640\uac10> <\ub9c8\uc9c0\ub9c9 \ucda4\uc744 \ub098\uc640 \ud568\uaed8>\uc640 \uac19\uc740 \uc791\uc5c5\uc744 \ud1b5\ud574 \ud655\uc7a5\uc2dc\ud0a8\ub2e4. \uadf8\ub140\ub294 \uc5ec\uae30\uc11c \uc0ac\ub791\uacfc \uc544\ud514\uc758 \ub178\ub798\ub4e4\uc744 \uc5f0\uc0c1\uc2dc\ud0a4\ub294 \ubd84\ud64d\uacfc \uac80\uc815\uc0c9\uc744 \uc0ac\uc6a9\ud558\uae30 \uc2dc\uc791\ud55c\ub2e4. \uadf8 \uc774\uc804 \uc791\ud488\ub4e4\uc774 \uc99d\uba85\ud558\ub294 \uac83\uc740\u00a0 \uadf8\ub140\uac00 \ud55c \ubc88 \uadf8\ub9bc\uc744 \uadf8\ub9ac\uae30 \uc2dc\uc791\ud558\uba74 \ud558\ub298 \uc544\ub798 \ubb54\uac00 \uc0c8\ub86d\uace0 \uc9c0\uc18d\ub418\ub294 \uac83\uc744 \ub9cc\ub4e4\uae30 \uc704\ud55c \uadf8\ub140\uc758 \uc57c\ub9dd\uacfc \ub9f9\ub82c\ud558\uac8c \uc528\ub984\ud558\uace0 \uc788\ub2e4\ub294 \uac83\uc774\ub2e4.<\/p>\n\t

RELATED POSTS<\/p>\n\tThe CLUMSY Plan
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\n\uc774\uc6a9\uc57d\uad00<\/a>\u00a0 \uc815\uae30\uacfc\uae08\uc774\uc6a9\uc57d\uad00<\/a> \u00a0\uac1c\uc778\uc815\ubcf4\ucde8\uae09\ubc29\uce68<\/a>\n\n","protected":false},"excerpt":{"rendered":"

Geometry in Rebellion: Mary Heilmann \ubc18\uace8\uc758 \uae30\ud558\ud559: \uba54\ub9ac \ud5e4\uc77c\ub9cc 02 Text by John Yau\u00a0\uc874 \uc57c\uc6b0 Translation by Mimi Park \ubc15\uc0c1\ubbf8 In\u00a0The First Small Red, Yellow, Blue\u00a0(1975), which is twice as long as it is tall, Heilman fills the painting with three uneven rectangles. In this painting, which anticipates her later use of multiple panels, the…<\/p>\n","protected":false},"author":321,"featured_media":35482,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"tpl-no-header-footer.php","format":"standard","meta":{"footnotes":""},"categories":[163,158],"tags":[29],"class_list":["post-38521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-john-yau","category-writing","tag-john-yau"],"_links":{"self":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/users\/321"}],"replies":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/comments?post=38521"}],"version-history":[{"count":2,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38521\/revisions"}],"predecessor-version":[{"id":38924,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38521\/revisions\/38924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media\/35482"}],"wp:attachment":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media?parent=38521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/categories?post=38521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/tags?post=38521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}