{"id":38573,"date":"2022-04-01T10:17:17","date_gmt":"2022-04-01T01:17:17","guid":{"rendered":"https:\/\/clumsy.site\/en\/?p=38573"},"modified":"2022-10-28T08:38:04","modified_gmt":"2022-10-27T23:38:04","slug":"the-world-of-mahk","status":"publish","type":"post","link":"https:\/\/clumsy.site\/en\/blog-the-world-of-mahk\/","title":{"rendered":"THE WORLD OF MAHK"},"content":{"rendered":"\n\n\t\t\t\t\n\t\tCover Image: The Ground Interview (\u24d2Kook)\n\t
The World of Mahk<\/p>\n\tInterview with Byoungsoo Cho \uc870\ubcd1\uc218
\nby Sunyoung Park \ubc15\uc120\uc601
\n
\n
“Mahk is an unapologetic rejection of refinement for the sake of refinement, of ostentation that gets in the way of practicality or honesty.<\/p>\n
“\ub9c9\uc740 \uc7a5\uc2dd\uc744 \uc704\ud55c \uc7a5\uc2dd\uc744 \ud3ec\ud568\ud558\uc5ec, \uc2e4\uc9c8\uc801\uc784\uacfc \uc9c4\uc194\ud568\uc744 \uac00\ub85c\ub9c9\ub294 \ubaa8\ub4e0 \uac83\uc5d0 \ub300\ud55c \ub2e8\ud638\ud55c \uac70\uc808\uc758 \uc81c\uc2a4\ucc98\uc774\ub2e4.”<\/p>\n\tWhen I think of architect Byoungsoo Cho, certain images would arise in my mind before his architecture. Blocks of old wood pieces and stones with cut facets that take up the whole floor of his studio. Along with his charcoal sketches and brushwork drawings spread here and there.\n
The portfolio of Byoungsoo Cho Architects, which reveals their exploration of materiality and creative urge, was always impressive but not unexpected.<\/p>\nThe natural cross between creating art and designing architecture is embodied in his world of architecture. I suppose the chemistry created between the two domains would have trained Cho to build solid architectural muscles.\n\nWhenever I see Cho’s architecture such as the ‘Earth House’ which is set underground, the ‘\u3141 Shaped House’ which is situated on an incline, and ‘Jipyungzip(Horizon House)’ which hides itself low in the horizon, I am reminded of the notions of ‘imperfection, breaking rules, emptiness, understatedness, lack, spontaneity. Perhaps, even long before Cho became an architect, he must have always pondered what Korean beauty is and its essence.\n\nCho captures the features of Korean beauty from the perspective of ‘aesthetics of mahk(roughness).’ The coincidental display found in Korean traditional architecture. The imperfect nature of mahksabal(meaning roughly-made bowl) derives from the slight shaking of the potter’s hands. The nonchalant airs expressed by a Buddhist monk’s dance. Cho states that we can abbreviate the characteristics of our Korean aesthetics, which consists of stirring up emotional resonance instead of setting a clear format, and the traits of spontaneity or genuineness, all into a one-syllable word ‘mahk’ meaning roughness or crudeness.\n\nThe Korean worldview is underlined by a deliberate making of space to improvise; space for spontaneity, the spirit of which I will refer to with the Korean prefix, “mahk”. This spirit permeates the original food, music, writing, dance, and other arts in Korea. But “mahk” is not an elevated term in Korean vernacular. It can infer crudeness or coarseness appearing in the beginning of words such as mahkgulli, an unfiltered rice wine long associated with old school working-class culture. Though in some contexts, it can even go so far as to imply carelessness, at its core, mahk is simply a lack of embellishment, a matter-of-fact departure from the overwrought in general. Mahk is an unapologetic rejection of refinement for the sake of refinement, of ostentation that gets in the way of practicality or honesty.<\/em>\n\t\t\t\t Contrary to the Western aesthetics defined by form and style, the aesthetics of mahk is closer to a certain attitude, nature, or emotion. The detached state of the potter while making the pottery, the criteria of whether the fired bowl would be used as is or discarded, the generous mind of gladly using the waning bowl with a rough surface, are examples of such. When we talk about Korean aesthetics, I think its peculiar sentiment lies in them.<\/p>\n In Byoungsoo Cho’s architecture, you can often find such sentiment of mahk through its rough and spontaneous rhythm. Ten old wooden pillars connecting the ceiling and the floor in irregular intervals, the cube box space in its minimal form, the cross section of bricks, big wooden pieces inserted into the gaps between concrete walls, the trace of an old wall revived from a decades-old building; they all seem to be expressions of improvisation via sewing up or adding on this and that, which boiled down to his simple intention toward an unknown experience.<\/p>\n\t\t\t\t The ‘Earth House’ which is set inside the ground also displays Cho’s sense of natural beauty. “During my graduate school days, it was the era of deconstruction in architecture. Certain forms were flying about as if cut off from the main structure, but it looked extremely cringeworthy and shallow to me. I just thought a space dug in the ground looked awesome.”<\/p>\n One day on a construction site, a tree was uprooted and left a deep basin in the ground. Cho stepped into this dug-up space and cannot forget the sky he had seen from down there ever since, as well as the sensation of getting a warm hug. While being reminded of the art historian Yuseop Ko’s quote: ‘In oriental painting which follows the subject, the painter cannot refrain from entering inside the canvas, and is totally drawn inside,’ he understood that such a profound encounter with a tactile experience could be essential.<\/p>\n As he had summarized his motto as ‘aesthetics of mahk,’ I asked him what kind of architecture he would like to build in the future. “I had always tried to build good architecture. But from now on, I would like to do something more exciting. The relationship with the ground, the arrangement of buildings, and the structure and material of buildings; I would like to express them in a frank and simple manner. Of course, I would have to first of all persuade the client that a bowl with some finger print marks is more awesome than a clean smooth pottery.” I was briefly curious, but decided not to delve in haste into the potential spectrum of his architecture which would be hidden inside the word ‘exciting.’ Because for him, there is already an architecture or a certain existence foreseen, and such existence would eventually reveal its form in a spontaneous way.<\/p>\n\t❝ \ubb3c\uc131\uc5d0 \ub300\ud55c \ud0d0\uad6c\uc640 \ucc3d\uc758\uc801 \uc695\uad6c\ub97c \ub4dc\ub7ec\ub0b4\ub294 \uc870\ubcd1\uc218\uc758 \uc2a4\ud29c\ub514\uc624 \uc791\uc5c5\uc740 \ub0b4\uac8c \ub298 \uac15\ud55c \uc778\uc0c1\uc744 \uc8fc\uc5c8\uc9c0\ub9cc \uadf8\ub807\ub2e4\uace0 \uc758\uc678\ub294 \uc544\ub2c8\uc5c8\ub2e4. \uc608\uc220 \ucc3d\uc791\uacfc \uac74\ucd95 \ub514\uc790\uc778\uc744 \uc790\uc5f0\uc2a4\ub808 \ub118\ub098\ub4dc\ub294 \uba74\ubaa8\ub294 \uacb0\uad6d \uadf8\uc758 \uac74\ucd95 \uc138\uacc4\ub97c \ub9de\ub2ff\uc544 \uc788\ub294 \uac8c \uc544\ub2cc\uac00. \uc774 \ub450 \uc791\uc5c5 \uc0ac\uc774\uc5d0\uc11c \uc77c\uc5b4\ub098\ub294 \ud654\ud559 \ubc18\uc751\uc774 \uac74\ucd95\uac00 \uc870\ubcd1\uc218\ub97c \ub354\uc6b1 \ud0c4\ud0c4\ud558\uac8c \ub9cc\ub4e4\uc5c8\uc744 \uac70\ub780 \uc0dd\uac01\uc774 \ub4e4\uc5c8\ub2e4.<\/p>\n \ub545\uc18d\uc73c\ub85c \ub4e4\uc5b4\uac00 \uc549\uc740 ‘\ub545 \uc9d1’\uc774\ub098 \uacbd\uc0ac\uba74\uc5d0 \ubc15\ud78c ‘\u3141\uc790 \uc9d1’, \uc9c0\ud3c9\uc120 \uc18d\uc73c\ub85c \ub098\uc9c1\uc774 \uc228\uc5b4 \ub4e4\uc5b4\uac00\ub294 ‘\uc9c0\ud3c9\uc9d1’ \uac19\uc740 \uc870\ubcd1\uc218\uc758 \uac74\ucd95\uc744 \ubcfc \ub54c\ub9c8\ub2e4 ‘\ubd88\uc644\uc804\ud568, \ud30c\uaca9, \ube44\uc5b4\uc788\uc74c, \ub2f4\ubc31\ud568, \ubaa8\uc790\ub78c, \uc790\uc5f0\uc2a4\ub7ec\uc6c0’\uacfc \uac19\uc740 \ub9d0\ub4e4\uc774 \ub5a0\uc62c\ub790\ub2e4. \uc5b4\uca4c\uba74 \uac74\ucd95\uac00\uac00 \ub418\uae30 \uc774\uc804\uc5d0\ub3c4 \uc870\ubcd1\uc218\uc758 \ub0b4\uba74\uc5d0\uc11c\ub294 \uc6b0\ub9ac\uc758 \uc544\ub984\ub2e4\uc6c0\uacfc \uadf8 \ubcf8\uc9c8\uc5d0 \ub300\ud55c \uc0ac\uc0c9\uc774 \uc774\uc5b4\uc838 \uc654\uc744 \uac83\uc774\ub77c\uace0 \uc9d0\uc791\ub418\uc5c8\ub2e4.<\/p>\n \uc870\ubcd1\uc218\ub294 \ud55c\uad6d\uc801 \ubbf8\uc758 \ud2b9\uc9c8\uc744 ‘\ub9c9\uc758 \ubbf8\ud559’\uc5d0\uc11c \ubcf8\ub2e4. \ud55c\uad6d \uc804\ud1b5 \uac74\ucd95\uc5d0\uc11c \ubcf4\uc774\ub294 \ubc30\uce58\uc758 \uc6b0\uc5f0\uc131. \ub3c4\uacf5\uc758 \uc190 \ub5a8\ub9bc\uc5d0\uc11c \ud30c\uc0dd\ub41c \ub9c9\uc0ac\ubc1c\uc758 \ubd88\uc644\uc804\uc131. \uc2b9\ubb34\uc5d0\uc11c \ub290\uaef4\uc9c0\ub294 \ud0dc\uc5f0\ud55c \uc790\ud0dc. \uc790\uc5f0\uc2a4\ub7ec\uc6c0(spontaneity)\uc774\ub098 \uc9c4\uc194\ud568(directness)\uacfc \uac19\uc740 \ud2b9\uc131, \ub69c\ub837\ud55c \uc591\uc2dd\ubcf4\ub2e4 \uc815\uc11c\uc801 \uacf5\uba85\uc744 \uc77c\uc73c\ud0a4\ub294 \uc6b0\ub9ac\uc758 \ubbf8\ud559\uc801 \ud2b9\uc9c8\uc744 ‘\ub9c9’\uc774\ub77c\ub294 \ud55c \uc74c\uc808\uc758 \ub2e8\uc5b4\ub85c \ucd95\uc57d\ud560 \uc218 \uc788\ub2e4\uace0 \uadf8\ub294 \ub9d0\ud55c\ub2e4.<\/p>\n \ud55c\uad6d\uc801 \uc138\uacc4\uad00\uc740 \uc989\ud765\uc131\uc774 \ubc1c\ud718\ub420 \uc218 \uc788\ub294 \uacf5\uac04\uc744 \uc758\ub3c4\uc801\uc73c\ub85c \ub0a8\uaca8\ub450\ub294 \uac83\uc774 \ud2b9\uc9d5\uc801\uc774\ub77c \ud560 \uc218 \uc788\ub294\ub370, \ub098\ub294 \uc774 \uc815\uc2e0\uc774 \ud55c\uad6d\uc5b4\uc5d0\uc11c \uc811\ub450\uc5b4\ub85c \uc4f0\uc774\ub294 “\ub9c9Mahk”\uc774\ub77c\ub294 \ub2e8\uc5b4\uc5d0\uc11c \uc798 \ub4dc\ub7ec\ub09c\ub2e4\uace0 \uc0dd\uac01\ud55c\ub2e4. “\ub9c9”\uc758 \uc815\uc2e0\uc740 \ud55c\uad6d\uc758 \uc804\ud1b5 \uc74c\uc2dd, \uc74c\uc545, \uae00, \ucda4 \ub4f1 \ubaa8\ub4e0 \ubd84\uc57c\uc758 \ud55c\uad6d \uc608\uc220\uacfc \ubb38\ud654\uc5d0 \uc2a4\uba70\uc788\ub2e4. \ud558\uc9c0\ub9cc \uc774 \ub9d0\uc740 \uace0\uc0c1\ud558\uac8c \uc4f0\uc774\ub294 \ub2e8\uc5b4\uac00 \uc544\ub2c8\ub2e4. \ub178\ub3d9\uc790 \uacc4\uce35\uc774 \uc8fc\ub85c \ub9c8\uc2dc\ub358, \uac70\ub974\uc9c0 \uc54a\uc740 \uc220\uc778 “\ub9c9\uac78\ub9ac”\uc5d0\uc11c “\ub9c9”\uc774\ub77c\ub294 \uc811\ub450\uc5b4\uac00 \uc4f0\uc778 \uac83\uc5d0\uc11c \ubcf4\uc774\ub4ef, \uc774\ub294 \uac70\uce60\uac70\ub098 \uc870\uc545\ud55c \uc0c1\ud0dc\ub97c \uc8fc\ub85c \uc758\ubbf8\ud55c\ub2e4. \uc5b4\ub5a4 \uacbd\uc6b0\uc5d0\uc11c\ub294 “\uc2e0\uacbd\uc4f0\uc9c0 \uc54a\uc74c,” “\ubd80\uc8fc\uc758\ud568” \uacfc \uac19\uc740 \uc758\ubbf8\ub3c4 \uc788\uc9c0\ub9cc, \ub098\ub294 \uadf8 \ud575\uc2ec\uc744 \uc7a5\uc2dd\uc774 \uc5c6\ub294 \uc0c1\ud0dc, \uafb8\ubbf8\uc9c0 \uc54a\uc740, \uc788\ub294 \uadf8\ub300\ub85c\uc758 \uc0c1\ud0dc\ub97c \ud5a5\ud55c \uc758\uc9c0\uc640 \uac19\ub2e4\uace0 \ubcf8\ub2e4. “\ub9c9”\uc740 \uc7a5\uc2dd\uc744 \uc704\ud55c \uc7a5\uc2dd\uc744 \ud3ec\ud568\ud558\uc5ec, \uc2e4\uc9c8\uc801\uc784\uacfc \uc9c4\uc194\ud568\uc744 \uac00\ub85c\ub9c9\ub294 \ubaa8\ub4e0 \uac83\uc5d0 \ub300\ud55c \ub2e8\ud638\ud55c \uac70\uc808\uc758 \uc81c\uc2a4\ucc98\uc774\ub2e4.<\/em><\/p>\n\t\t\t\t \uc624\ub798\uc804\ubd80\ud130 \uadf8\ub294 \ub9c9\uc0ac\ubc1c\uc5d0 \uae4a\uc774 \ub9e4\ub8cc\ub418\uc5c8\ub2e4. “\ubbf8\uad6d \uc720\ud559 \uc2dc\uc808\uc5d0 \uc7a0\uc2dc \ub098\uc640 \ud669\ud559 \uc2dc\uc7a5\uc5d0\uc11c \uc815\ub9d0 \uc88b\uc740 \ub9c9\uc0ac\ubc1c\uc744 \ub9cc\ub0ac\ub294\ub370, \uc774\ud2c0 \uc788\ub2e4\uac00 \ub3c8\uc744 \uac00\uc838\uc640\uc11c \uc0ac\uaca0\ub2e4\uace0 \ud558\uace0\ub294 \ubbf8\uad6d\uc73c\ub85c \ub3cc\uc544\uac00\uac8c \ub418\uc5b4 \ubabb \uc0c0\uc5b4\uc694. \uadf8\ub54c \ubcf8 \ub9c9\uc0ac\ubc1c\uc758 \uc9c8\uac10\uc774 \uc544\uc9c1\ub3c4 \uc0dd\uc0dd\ud574\uc694. \uc5b4\ub5bb\uac8c \uc0dd\uacbc\ub294\uc9c0\ub3c4 \uc815\ud655\ud558\uac8c \uae30\uc5b5\ud558\uace0 \uc788\uc8e0. \ub9c9\uc0ac\ubc1c\uc744 \ub4e4\uc5ec\ub2e4\ubcf4\uba74 \ub3c4\uacf5\uc774 \ub9cc\ub4e4\ub2e4\uac00 \uc5b4\ub290 \uc21c\uac04 \uc911\ub2e8\ub41c \uc0c1\ud0dc\uc758 \ubd88\uc644\uc804\uc131\uc774 \ub290\uaef4\uc838\uc694. \uacb0\uad6d \uadf8 \ubd88\uc644\uc804\ud568\uc744 \ubc1b\uc544\ub4e4\uc774\ub294 \ub9c8\uc74c\uac00\uc9d0\uc774 \ub9c9\uc758 \ubbf8\ud559\uc5d0 \ub0b4\ud3ec\ub418\uc5b4 \uc788\uc9c0\uc694.”<\/p>\n \uc591\uc2dd\uacfc \uc2a4\ud0c0\uc77c\ub85c\uc368 \uc815\uc758\ub418\uc5b4 \uc628 \uc11c\uc591\uc758 \ubbf8\ud559\uacfc \ub2ec\ub9ac \ub9c9\uc758 \ubbf8\ub294 \ud0dc\ub3c4, \uae30\uc9c8, \uc815\uc11c\uc5d0 \uac00\uae5d\ub2e4. \ub3c4\uc790\uae30\ub97c \ub9cc\ub4e4\uc5b4 \ub0b4\ub294 \ub3c4\uacf5\uc758 \ubb34\uc2ec\ud55c \ub9c8\uc74c, \uad6c\uc6cc\uc9c4 \uadf8\ub987\uc744 \uadf8\ub300\ub85c \uc4f8\uc9c0 \ubc84\ub9b4\uc9c0\ub97c \uacb0\uc815\ud558\ub294 \uae30\uc900, \uc774\uc9c0\ub7ec\uc9c0\uace0 \uac70\uce5c \ud45c\uba74\uc744 \uae30\uaebc\uc774 \uc0ac\uc6a9\ud560 \uc218 \uc788\ub294 \ud3ec\uc6a9\uc131 \uac19\uc740 \uac83\ub4e4\uc774 \ub9d0\uc774\ub2e4. \ud55c\uad6d \ubbf8\ud559\uc744 \uc598\uae30\ud560 \ub54c\uc758 \ubbf8\ubb18\ud55c \uc815\uc11c\uac00 \uc5ec\uae30\uc5d0 \uc788\uc9c0 \uc54a\ub098 \uc2f6\uae30\ub3c4 \ud558\ub2e4.<\/p>\n \uc870\ubcd1\uc218 \uac74\ucd95\uc5d0\uc11c\ub294 \uc885\uc885 \uac70\uce60\uace0 \uc989\ud765\uc801\uc778 \ub9ac\ub4ec\uc758 \ub9c9\uc758 \uc815\uc11c\uac00 \uc5ff\ubcf4\uc778\ub2e4. \ubd88\uaddc\uce59\ud55c \ubc30\uc5f4\ub85c \ucc9c\uc7a5\uacfc \ubc14\ub2e5\uc744 \uc774\uc5b4\uc8fc\uace0 \uc788\ub294 \uc5f4 \uac1c\uc758 \uace0\ubaa9\ub4e4, \ucd5c\uc18c\ud55c\uc758 \ud615\ud0dc\uc778 \uc0ac\uac01 \ubc15\uc2a4\uc758 \uacf5\uac04, \ubcbd\ub3cc\uc744 \uc798\ub77c \ub9cc\ub4e0 \ub2e8\uba74, \ucf58\ud06c\ub9ac\ud2b8 \ubcbd\uccb4 \uc0ac\uc774\uc5d0 \ub07c\uc6cc\ub454 \ucee4\ub2e4\ub780 \ub098\ubb34 \uc870\uac01\ub4e4, \uc218\uc2ed \ub144 \uc804 \uac74\ubb3c\uc5d0\uc11c \ub418\uc0b4\ub9b0 \ubcbd\uccb4\uc758 \ud754\uc801\uc740 \uaff0\ub9e4\uac70\ub098 \ub367\ubd99\uc778 \uc989\ud765\uc131\uc758 \ud45c\ud604\uc778 \ub3d9\uc2dc\uc5d0 \ubbf8\uc9c0\uc758 \uacbd\ud5d8\uc744 \ud5a5\ud55c \uadf8\uc758 \uc18c\ubc15\ud55c \uc758\ub3c4\uc600\uc744 \uac83\uc774\ub2e4.<\/p>\n “\uc628\uadf8\ub77c\uc6b4\ub4dc \uce74\ud398\uc5d0\ub3c4 \uc624\ub798\ub41c \ubcbd\uccb4\uc5d0 \uad6c\uba4d\uc744 \ub6ab\uc5b4 \ub193\uc558\ub294\ub370, \ub6ab\ub294 \uacfc\uc815\uc5d0\uc11c \uc5b4\ub514\ub294 \ub35c \uae68\uc9c0\uace0 \uc5b4\ub514\ub294 \ub354 \uae68\uc9c0\uac8c \ub450\ub294 \uc989\ud765\uc801\uc778 \uc120\ud0dd\uc744 \ud588\uc5b4\uc694. \ubbf8\uc74c\uc790 \uc9d1\uc774\ub098 \uce74\uba54\ub77c\ud0c0\ub3c4 \ubcbd\uccb4 \ud45c\uba74\uc774 \ub2e4\uc18c \uac70\uce60\uac8c \ub9c8\ubb34\ub9ac\uac00 \ub418\uc5c8\uc796\uc544\uc694. \uc61b \uac83\uc758 \ud754\uc801\uc744 \uc88b\uc544\ud558\ub294 \uac1c\uc778\uc801\uc778 \ucde8\ud5a5 \ub54c\ubb38\uc77c \uc218\ub3c4 \uc788\ub294\ub370, \uc989\ud765\uc801\uc73c\ub85c \ub9c8\ubb34\ub9ac\ub418\ub294 \uac70\uce5c \ubbf8\ud559\uc774 \uc81c \uac74\ucd95\uc5d0\uc11c \ubd80\ubd84\ubd80\ubd84 \uc790\uc5f0\uc2a4\ub7fd\uac8c \ub4dc\ub7ec\ub09c \uac83 \uac19\uc544\uc694.”<\/p>\n \ub545\uc18d\uc73c\ub85c \ub4e4\uc5b4\uc549\uc740 ‘\ub545\uc758 \uac74\ucd95’ \uc5ed\uc2dc \uc870\ubcd1\uc218\uc758 \uc790\uc5f0\uc801\uc778 \ubbf8\uac10\uc744 \uc798 \ub4dc\ub7ec\ub0b4\ub294 \uac83\uc774\ub9ac\ub77c. “\uc81c\uac00 \ub300\ud559\uc6d0 \ub54c\uac00 \ud55c\ucc3d \ud574\uccb4\uc8fc\uc758 \uac74\ucd95\uc774 \ub098\uc624\uace0 \uc788\uc5c8\uc5b4\uc694. \uc5b4\ub5a4 \ud615\ud0dc\uac00 \ubd84\uc808\ub41c \ub4ef\uc774 \ub0a0\uc544\ub2e4\ub2c8\ub294\ub370, \ub0b4\uac00 \ubcf4\uae30\uc5d0\ub294 \uadf8\uac8c \ub108\ubb34 \uac04\uc9c8\uac04\uc9c8\ud558\uace0 \uc584\ud30d\ud558\uac8c \ub2e4\uac00\uc654\uc5b4\uc694. \ub09c \uadf8\uc800 \ub545\uc744 \ud479 \ud30c\ub193\uc740 \uacf5\uac04\uc774 \uba4b\uc788\ub2e4\uace0 \uc0dd\uac01\ud588\uc5b4\uc694.” \uc5b4\ub290 \ub0a0 \uacf5\uc0ac \uc911 \ub098\ubb34\uac00 \ubf51\ud600 \ub9cc\ub4e4\uc5b4\uc9c4 \ub545\uc758 \uc6c0\ud479\ud55c \uc6c5\ub369\uc774\uc5d0 \ub4e4\uc5b4\uac00 \ubcf8 \uadf8\ub294, \uadf8 \uc18d\uc5d0\uc11c \ubc14\ub77c\ubcf4\ub358 \ud558\ub298\uacfc \ubab8\uc744 \ub530\uc2a4\ud788 \uac10\uc2f8\uc8fc\ub358 \ud3ec\uc6a9\uc758 \uac10\uac01\uc744 \uc544\uc9c1\ub3c4 \uc78a\uc9c0 \ubabb\ud55c\ub2e4. ‘\ub300\uc0c1\uc744 \ubcf4\uc544 \uac00\ub294 \ub3d9\uc591\ud654\ub294 \ud654\uac00\uac00 \ud654\uba74\uc5d0 \ub4e4\uc5b4\uac00\uc9c0 \uc54a\uc744 \uc218 \uc5c6\uace0, \uadf8 \uc548\uc73c\ub85c \ub04c\ub824 \ub4e4\uc5b4\uac04\ub2e4’\ub294 \uace0\uc720\uc12d\uc758 \ud45c\ud604\uc744 \ub5a0\uc62c\ub9ac\uba70, \ub098\uc758 \ubab8\uc774 \ub2ff\uc544 \ubc1c\ud718\ub418\ub294 \ucd09\uac01\uc801 \uacbd\ud5d8\uc744 \uae4a\uc774 \ub9c8\uc8fc\ud588\ub2e4.<\/p>\n ‘\ub9c9\uc758 \ubbf8’\ub77c\ub294 \ud654\ub450\ub97c \ub0b4\ub193\uc740 \uadf8\uc5d0\uac8c \uc55e\uc73c\ub85c \uc5b4\ub5a4 \uac74\ucd95\uc744 \ud558\uace0 \uc2f6\ub0d0\uace0 \ubb3c\uc5c8\ub2e4. “\uadf8\ub3d9\uc548\uc740 \ub298 \uc62c\ubc14\ub978 \uac74\ucd95\uc744 \ud558\ub824\uace0 \uc560\uc368\uc654\uc5b4\uc694. \uadf8\ub7f0\ub370 \uc55e\uc73c\ub85c\ub294 \uc880 \ub354 \uc775\uc0ac\uc774\ud305\ud55c \uac78 \ud574\ubcf4\uace0 \uc2f6\uc5b4\uc694. \ub545\uacfc\uc758 \uad00\uacc4, \uac74\ubb3c\uc758 \ubc30\uce58 \uadf8\ub9ac\uace0 \uac74\ubb3c\uc758 \uad6c\uc870\ub098 \uc7ac\ub8cc\ub3c4 \uc194\uc9c1\ud558\uace0 \ub2f4\ubc31\ud558\uac8c \ud45c\ud604\ud574\ubcf4\uace0 \uc2f6\uc5b4\uc694. \ubb3c\ub860 \uae68\ub057\ud55c \ub3c4\uc790\uae30\ubcf4\ub2e4 \uc774\ub807\uac8c \uc190\uc790\uad6d\uc774 \ubb3b\uc740 \uadf8\ub987\uc774 \ub354 \uba4b\uc9c0\ub2e4\ub294 \uac78 \uac74\ucd95\uc8fc\uc5d0\uac8c \uba3c\uc800 \uc124\ub4dd\ud574\uc57c\uaca0\uc9c0\ub9cc\uc694.” \uc7a0\uc2dc \uad81\uae08\ud588\uc73c\ub098, ‘\uc775\uc0ac\uc774\ud305’ \uc774\ub77c\ub294 \ub2e8\uc5b4 \uc548\uc5d0 \uc228\uc5b4\uc788\uc744 \uadf8\uc758 \uac74\ucd95\uc758 \uac00\ub2a5\uc131\uc744 \uc131\uae09\ud788 \uac00\ub2a0\ud574\ubcf4\uc9c0 \uc54a\uae30\ub85c \ud588\ub2e4. \uadf8\uc5d0\uac90 \uc774\ubbf8 \uc608\uacac\ub41c \uac74\ucd95\uc774, \uadf8 \ubb34\uc5c7\uc774 \uc874\uc7ac\ud558\uace0, \uadf8 \uc874\uc7ac\ub294 \uc790\uc5f0\uc2a4\ub7fd\uac8c \ud615\ud0dc\ub97c \ub4dc\ub7ec\ub0bc \uac83\uc774\uae30 \ub54c\ubb38\uc774\ub2e4.<\/p>\n\t\t\t\t RELATED POSTS<\/p>\n\tThe CLUMSY Plan Cover Image: The Ground Interview (\u24d2Kook) The World of Mahk Interview with Byoungsoo Cho \uc870\ubcd1\uc218 by Sunyoung Park \ubc15\uc120\uc601 “Mahk is an unapologetic rejection of refinement for the sake of refinement, of ostentation that gets in the way of practicality or honesty. “\ub9c9\uc740 \uc7a5\uc2dd\uc744 \uc704\ud55c \uc7a5\uc2dd\uc744 \ud3ec\ud568\ud558\uc5ec, \uc2e4\uc9c8\uc801\uc784\uacfc \uc9c4\uc194\ud568\uc744 \uac00\ub85c\ub9c9\ub294 \ubaa8\ub4e0 \uac83\uc5d0 \ub300\ud55c \ub2e8\ud638\ud55c \uac70\uc808\uc758…<\/p>\n","protected":false},"author":321,"featured_media":655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"tpl-no-header-footer.php","format":"standard","meta":{"footnotes":""},"categories":[157],"tags":[32,25,41,28],"class_list":["post-38573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","tag-clumsy","tag-force","tag-interview","tag-season1"],"_links":{"self":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/users\/321"}],"replies":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/comments?post=38573"}],"version-history":[{"count":2,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38573\/revisions"}],"predecessor-version":[{"id":38910,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38573\/revisions\/38910"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media\/655"}],"wp:attachment":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media?parent=38573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/categories?post=38573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/tags?post=38573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\t\tThe Ground(\u00a9Kook)\n\tHe had been deeply drawn to mahksabal early on. “While I was studying in the U.S. I had briefly come back to Korea and went to Hwang-hak market where I encountered a fantastic mahksabal. I told the guy I would come back with the money to buy it two days later, but then I had to return to the U.S. The texture of the bowl that I saw that day is still so vivid in my mind. I remember exactly how it looked. When I look into the bowl, I can feel the incomplete nature rendered by the potter’s spontaneous halt. In the aesthetics of mahk, the mindset of embracing such imperfection is included.”\n
\n\t“I had made a hole in an old wall again at Onground Caf\u00e9, and during the process I had made impromptu choices of where I should break less and break more. In the \u3141Shaped House and Camerata, the wall surface is finished somewhat roughly. It could be due to my personal taste of loving traces of old things, and I guess the coarse aesthetics with impromptu finish had naturally revealed itself here and there in my architecture.”\n
\nI had made a hole in an old wall again at Onground Caf\u00e9, and during the process
\nI had made impromptu choices of where I should break less and break more.
\n❞\n\t\uac74\ucd95\uac00 \uc870\ubcd1\uc218\ub97c \uc0dd\uac01\ud558\uba74, \uadf8\uc758 \uac74\ucd95\ubcf4\ub2e4 \uba3c\uc800 \ub5a0\uc62c\ub824\uc9c0\ub294 \uac83\uc774 \uc788\ub2e4. \uadf8\uc758 \uc2a4\ud29c\ub514\uc624 \ud55c \uce35\uc744 \uac00\ub4dd \ucc28\uc9c0\ud558\uace0 \uc788\ub294 \uace0\uc7ac \ub369\uc5b4\ub9ac\uc640 \ub2e8\uba74\uc774 \uc798\ub9b0 \ub3cc\ub4e4. \ubaa9\ud0c4\uc774\ub098 \ubd93\uc73c\ub85c \uadf8\ub824\uc9c4 \ub4dc\ub85c\uc789\ub4e4\uc774 \uc774\uacf3\uc800\uacf3 \ub110\ub824\uc788\ub294 \ud48d\uacbd.\n\n\t\tThe Ground Interview(\u00a9Kook)\n\t❝
\n\uc628\uadf8\ub77c\uc6b4\ub4dc \uce74\ud398\uc5d0\ub3c4 \uc624\ub798\ub41c \ubcbd\uccb4\uc5d0 \uad6c\uba4d\uc744 \ub6ab\uc5b4 \ub193\uc558\ub294\ub370, \ub6ab\ub294 \uacfc\uc815\uc5d0\uc11c
\n\uc5b4\ub514\ub294 \ub35c \uae68\uc9c0\uace0 \uc5b4\ub514\ub294 \ub354 \uae68\uc9c0\uac8c \ub450\ub294 \uc989\ud765\uc801\uc778 \uc120\ud0dd\uc744 \ud588\uc5b4\uc694.
\n❞\n\t\n\t\tThe Ground Interview(\u00a9Kook)\n\tSunyoung Park
\nFREELANCE EDITOR\n\ubc15\uc120\uc601
\n\ud504\ub9ac\ub79c\uc2a4 \uc5d0\ub514\ud130\n\t\t\t\t\n\t
\nAddress : 4Fl. 199 Itaewon-ro (Itaewon-dong) Yongsan-gu, Seoul
\nInquiry : 02 – 723 – 2973, info@thomasparkgallery.com
\n\uc774\uc6a9\uc57d\uad00<\/a>\u00a0 \uc815\uae30\uacfc\uae08\uc774\uc6a9\uc57d\uad00<\/a> \u00a0\uac1c\uc778\uc815\ubcf4\ucde8\uae09\ubc29\uce68<\/a>\n\n","protected":false},"excerpt":{"rendered":"