{"id":38611,"date":"2022-04-01T11:27:09","date_gmt":"2022-04-01T02:27:09","guid":{"rendered":"https:\/\/clumsy.site\/en\/?p=38611"},"modified":"2022-10-28T07:59:31","modified_gmt":"2022-10-27T22:59:31","slug":"to-see-renoir","status":"publish","type":"post","link":"https:\/\/clumsy.site\/en\/blog-to-see-renoir\/","title":{"rendered":"TO SEE RENOIR"},"content":{"rendered":"\n\n\tTo See Renoir
\n\ub974\ub204\uc544\ub974 \ubcf4\uae30\n\tText by Bruce Gagnier \ube0c\ub8e8\uc2a4 \uac00\ub2c8\uc5d0
\nTranslation by Mimi Park \ubc15\uc0c1\ubbf8\n\t
The view that forms the current opinion of Auguste Renoir, seen through a contemporary socio-political lens, tends to obscure his true artistic achievement, particularly his nude paintings. To place his work in the context of our time, without considering his artistic intentions, only blurs the meaning of these benign images embedded firmly in the history of painting. The healthy natural physiques based on the naturalism of the Romantic period, and his classical concept of the nude seem incongruous to our ideas of beings, which are often exaggerated, and even tortured in our own way.<\/p>\n
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EMBRACED THE “IRREGULARITY” +\u00a0 THE CLASSICAL IDEALIZATION IN THE NUDE PAINTINGS<\/strong><\/p>\n\t\t\t\t These nudes are not of our time; possibly part of a marginalized aspect of the human condition. They are naturally sensual, and yet idealized, being true to both the “irregular” qualities of the life models in the studio, and the classical idealization of the Greek sculptures. These two aspects of conceiving the nude were very much within the artistic practice of the 19th century. While struggling through the “Dry Period,” changing his craft in a heroic attempt to achieve the classic style, he was ultimately able to embrace his love of irregularities in nature (including human nature) – in a synthesis which brought him up-to-date as a new classicist. His act of painting towards its abstraction-plastically conscious and yet distorted to his beloved irregularity- reimagined the practice of painting from life and marked a plastic achievement of his generation.<\/p>\n There is ample evidence of Renoir’s influence on other painters and their total acceptance of him. This fact can be seen through a different set of spectacles, a pair tinted with plastic awareness as well as an understanding of a historical culture.\u00a0<\/b>The plastic consciousness is buried in contemporary culture, under a flattened vision and politics of seeing. It is most likely that the reaction of viewers is formed (or deformed) by their own ideas of the body, rather than informed by the internal laws of painting. Immediate criticism and rejection of Renoir’s nudes simply arise from the use of the normative eye apparatus assuming it sees just fine, while it doesn’t see anything in art on a certain level.<\/p>\n It is crucial to be aware of depth in appreciating the paintings of Renoir. It can bring the viewer in contact with the abstraction of volume in a leg or hip, achieved not by modeling light and dark but by an almost magical, direct attack on color modulations which never succumb only to value. This constitutes his most important quality, one that consistently promotes him to the pantheon of great painters. The drawing submerged beneath the colors, and even the tactile feathery touch itself receded in the role of connoting form not only as a value structure, but the music of weight and spatial measure of color. The creation of volumes of flesh with color applied in feathery strokes brings to life the most advanced sensation the art of painting can induce. On this basis, Julius Meyer Graefe, a German art critic, put him in the pantheon of the seven great colorists who achieved a resonant sense of form and space with color alone.<\/p>\n The tactile experience -a sensation of touch through the mind and eye as communicated through color, is distinctively present in Renoir. One’s eye must be prepared to follow the energy of color, not just in the psychological dimension, but also in the spatial dimension as it moves in depth. The movement of the brush on the canvas is soft but not reticent; the hand that holds the brush speaks to the canvas, and then to us, in a simple, direct, straightforward way. It is never too graceful or pedantic while achieving depth of cultural memory. As a speaker in paint, Renoir is clear and easy to listen to.<\/p>\n\t\t\t\t THE IDEAL MADE REAL IN THE MOST PERFECT MOMENT<\/strong> In his content, the profound meaning linked to the Greek idea of beauty has been set aside by a contemporary pornographic lens. Renoir seeks the perfect moment in a body, not only of the union of the erotic and the rational but of the epitome of the artist’s desire to express the moment of innocence, and to live in it. The abstraction of the ideal has been made real in the most perfect moment. The way a young woman’s blossoming body can be seen like such is one of the mysteries of a cultural acquisition, which is lost in the sands of time- but was, indeed, natural for Renoir.<\/p>\n\t \uc624\uadc0\uc2a4\ud2b8 \ub974\ub204\uc544\ub974(1841-1919)\uc758 \uc791\ud488, \ud2b9\ud788 \uadf8\uc758 \ub204\ub4dc\ub97c \ubcf4\ub294 \uc694\uc998\uc758 \uc2dc\uac01*\uc740 \uc774 \uc2dc\ub300\uc758 \uc0ac\ud68c\uc815\uce58\ud559\uc801\uc778 \ub80c\uc988\ub97c \ud1b5\ud574 \ud615\uc131\ub41c \uac83\uc73c\ub85c, \uc774\ub294 \uadf8\uc758 \uc9c4\uc815\ud55c \uc608\uc220\uc801 \uc131\ucde8\uc5d0 \ub300\ud55c \ud3c9\uac00\ub97c \ud750\ub9ac\ub294 \uacbd\ud5a5\uc774 \uc788\ub2e4. \ub974\ub204\uc544\ub974 \uc2dc\ub300\uc758 \uc608\uc220\uc801 \uacfc\uc81c\ub098 \uadf8\uc758 \uc758\ub3c4\ub97c \uc54c\uc9c0 \ubabb\ud55c \ucc44 \uadf8\uc758 \uc791\ud488\uc744 \uc774 \uc2dc\ub300\uc758 \ub9e5\ub77d \uc18d\uc5d0 \ub193\ub294\ub2e4\uba74, \ubbf8\uc220\uc0ac \uc18d\uc5d0\uc11c \ubfcc\ub9ac \uae4a\uc740 \uc5ed\uc0ac\ub97c \uac00\uc9c4 \uc774 ‘\uc120\uc758’\uc758 \uc774\ubbf8\uc9c0\ub4e4\uc774 \uc2e4\uc81c\ub85c \ubb34\uc5c7\uc744 \uc758\ubbf8\ud558\ub294\uc9c0 \uc54c\uae30\ub780 \ubd88\uac00\ub2a5\ud558\ub2e4. \ub0ad\ub9cc\uc8fc\uc758 \uc2dc\ub300\uc758 \uc790\uc5f0\uc8fc\uc758\uc801 \uc2dc\uac01, \uadf8\ub9ac\uace0 \ub204\ub4dc\uc5d0 \ub300\ud55c \uace0\ub300 \uc608\uc220\uc758 \uac1c\ub150\uc5d0 \uae30\ucd08\ud55c, \uac74\uac15\ud558\uace0 \uc790\uc5f0\uc2a4\ub7ec\uc6b4 \uc778\uccb4\ub294 \uc6b0\ub9ac\uac00 \uac16\uace0 \uc788\ub294 \ubab8\uc5d0 \ub300\ud55c \uc774\ubbf8\uc9c0\u2015\uacfc\uc7a5\ub418\uace0 \uc65c\uace1\ub418\uae30\uae4c\uc9c0 \ud55c\u2015\uc640\ub294 \uc560\ucd08\ubd80\ud130 \ud070 \ucc28\uc774\uac00 \uc788\ub2e4.<\/p>\n\t * \ud2b9\ud788 ‘\uc548\ud2f0 \ub974\ub204\uc544\ub974,’ ‘\uc2e0\uc740 \ub974\ub204\uc544\ub974\ub97c \uc2eb\uc5b4\ud55c\ub2e4’\uc640 \uac19\uc740 \uc77c\uc885\uc758 \ud610\uc624 \ud2b8\ub80c\ub4dc<\/p>\n\t \ub974\ub204\uc544\ub974\uac00 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\uc788\uc744 \ubc95\ud55c \uc0c1\ud669\uc774\ub2e4. ‘\ub4dc\ub77c\uc774 \uc2dc\uae30 Dry Period’*\ub77c \ubd88\ub9ac\ub294 \ud798\ub4e0 \uc2dc\uae30\ub97c \uacaa\uc73c\uba70 \ub974\ub204\uc544\ub974\ub294 \uace0\uc804\uc801 \uc2a4\ud0c0\uc77c\uc744 \uc131\ucde8\ud558\ub824\ub294 \ub178\ub825\uc744 \ud558\uc9c0\ub9cc, \uacb0\uad6d \uc790\uc5f0(\uacfc \uc778\uac04)\uc758 \ubd88\uade0\uc9c8\uc131\uc744 \ud5a5\ud55c \uadf8\uc758 \uc560\uc815\uc744 \ucd94\uad6c\ud558\uac8c \ub41c\ub2e4. \uc774 \uc870\ud569\uc744 \ud1b5\ud574 \ub974\ub204\uc544\ub974\ub294 \ub2f9\uc2dc \uc0c8\ub85c\uc6b4 \uace0\uc804\uc801 \uc2a4\ud0c0\uc77c\uc758 \ud654\uac00\ub85c \uc55e\uc11c\ub098\uac00\uac8c \ub41c\ub2e4. \uadf8\uc758 \ud68c\ud654\uc758 \ucd94\uc0c1\uc801 \uce21\uba74\u2015\uc870\ud615\uc801 \uc778\uc2dd\uacfc \ubd88\uade0\uc9c8\uc131irregularity\uc744 \ub4dc\ub7ec\ub0b4\ub294 \uc65c\uace1\u2015\uc740 \ub2f9\uc2dc \uc2e4\uc81c \ubaa8\ub378\uacfc \ud568\uaed8 \uc791\uc5c5\ud558\ub294 \ud68c\ud654\uc5d0 \uc0c8\ub85c\uc6b4 \uc7a5\uc744 \uc5f4\uc5c8\uace0, \uadf8 \uc2dc\ub300 \uc0c8\ub85c\uc6b4 \uc870\ud615\uc801\uc778 \uc131\uacfc\ub97c \uc774\ub8e8\uac8c \ub41c\ub2e4.<\/p>\n\t * \ub974\ub204\uc544\ub974\uac00 \uc778\uc0c1\uc8fc\uc758\uc801 \ud654\ubc95\uc5d0 \ud68c\uc758\ub97c \ub290\ub07c\uace0 \uace0\uc804\uc801\uc778 \uc2a4\ud0c0\uc77c\uc758 \ud68c\ud654\uc5d0 \uc9d1\uc911\ud558\ub358 \uc2dc\uae30. \uc77c\uba85 \uc575\uadf8\ub974 \uc2dc\uae30\ub77c\uace0\ub3c4 \ubd88\ub9b0\ub2e4.<\/p>\n\t \ub974\ub204\uc544\ub974\uac00 \ub2e4\ub978 \ud654\uac00\ub4e4\uc5d0\uac8c \ub07c\uce5c \uc601\ud5a5\uacfc \uadf8\ub4e4\uc774 \ub974\ub204\uc544\ub974\uc758 \uc5c5\uc801\uc744 \uc5bc\ub9c8\ub098 \ud06c\uac8c \uc778\uc815\ud558\uace0 \uc788\uc5c8\ub294\uc9c0\uc5d0 \uad00\ud574\uc11c\ub294 \ud48d\ubd80\ud55c \uc99d\uac70\uac00 \uc788\ub2e4. \uadf8\uc758 \uc5c5\uc801\uc740 \ud2b9\ubcc4\ud55c \ub80c\uc988, \uc989 \uc870\ud615\uc131\uacfc \ubb38\ud654\uc0ac\ub97c \ubcfc \uc218 \uc788\ub294 \uc548\uacbd\uc744 \ub07c\uace0 \ubcf4\uba74 \uc27d\uac8c \ubcfc \uc218 \uc788\uc744 \uac83\uc774\ub2e4. \uc870\ud615\uc801 \uc778\uc2dd\uc740 \uc6b0\ub9ac \uc2dc\ub300\uc758 \ud3c9\ud3c9\ud574\uc9c4 \uc2dc\uac01*, \uc815\uce58\uc801\uc778 \uc2dc\uac01 \uc18d\uc5d0\uc11c \uc810\ucc28 \ubb3b\ud600\ubc84\ub838\ub2e4. \uadf8\ub9bc\uc744 \ubcf4\ub294 \uad00\uac1d\ub4e4\uc740 \uc2e4\uc81c\ub85c \ud68c\ud654\ub97c \uc9c0\ubc30\ud558\ub294 \ub0b4\uc801 \ubc95\uce59\uc744 \ud1b5\ud55c \uac83\uc774 \uc544\ub2c8\ub77c \uadf8\ub4e4\uc774 \uac00\uc9c4 \ubab8\uc5d0 \ub300\ud55c \uc774\ubbf8\uc9c0\uc5d0 \uc758\ud574 \uc601\ud5a5\ubc1b\uc544 \ubc18\uc751\ud55c\ub2e4. \ub974\ub204\uc544\ub974\uc758 \ub204\ub4dc\ub97c \uc989\uac01\uc801\uc73c\ub85c \ube44\ud310\ud558\uace0 \uac70\ubd80\ud558\ub294 \uc774\uc720\ub294 \uc6b0\ub9ac\uc758 \ub208\uc774\ub77c\ub294 \ud3c9\uade0\uc801\uc778 \uac10\uac01 \uae30\uad00\uc774 \ubb54\uac00 \ubcfc \uc218 \uc788\ub2e4\uace0 \uc0dd\uac01\ud558\uae30 \ub54c\ubb38\uc774\ub2e4. \uc2e4\uc81c\ub85c \uad50\uc721\ubc1b\uc9c0 \uc54a\uc740 \ub208\uc740 \uc608\uc220 \uc791\ud488\uc744 \ubcfc \ub54c \uc5b4\ub290 \uc218\uc900 \uc774\uc0c1\uc758 \uac83\uc744 \ubcfc \uc218 \uc5c6\ub294\ub370 \ub9d0\uc774\ub2e4.<\/p>\n\t * \uc6b0\ub9ac\uc758 \ub208\uc740 \uc810\uc810 \uc0ac\uc9c4\uacfc \ucef4\ud4e8\ud130 \uc2a4\ud06c\ub9b0\uc758 2\ucc28\uc6d0\uc801 \ud3c9\uba74\uc5d0 \uc775\uc219\ud574\uc838 3\ucc28\uc6d0 \uc9c0\uac01\uc774 \ud798\ub4e4\uc5b4\uc9c0\uace0 \uc788\ub2e4.<\/p>\n\t \ub974\ub204\uc544\ub974 \ud68c\ud654\ub97c \uc81c\ub300\ub85c \uac10\uc0c1\ud558\uae30 \uc704\ud574\uc120 \uae4a\uc774 \uc9c0\uac01\uc774 \uc911\uc694\ud558\ub2e4. \ub974\ub204\uc544\ub974 \uadf8\ub9bc\uc5d0\uc11c \uad00\uac1d\uc740 \uadf8\ub9bc \uc18d \uc778\ubb3c\uc758 \ub2e4\ub9ac\ub098 \ub454\ubd80\uac00 \uac16\ub294 \ucd94\uc0c1\uc801\uc778 \ubd80\ud53c\uac10\uc744 \ubcf4\uac8c \ub418\ub294\ub370, \uc774\ub294 \ub2e8\uc21c\ud788 \uba85\uc554\uc758 \uc870\uc808\uc744 \ud1b5\ud55c \uac83\uc774 \uc544\ub2cc, \uac70\uc758 \ub9c8\uc220\uc801\uc73c\ub85c \ud589\ud574\uc9c4 \uc9c1\uc811\uc801\uc778 \uc0c9\uc758 \uc870\ud569\uacfc \uc870\uc728\uc5d0 \uc758\ud574 \uc774\ub8e8\uc5b4\uc9c4 \uac83\uc774\ub2e4. \ub974\ub204\uc544\ub974\uac00 \ub04a\uc784\uc5c6\uc774 \ub300\uac00\uc758 \ubc18\uc5f4\uc5d0 \uc62c\ub824\uc9c0\ub294 \uac83\ub3c4 \ubc14\ub85c \uc774 \uc774\uc720 \ub54c\ubb38\uc774\ub2e4. \uc0c9 \ubc11\uc5d0 \uc7a0\uaca8\uc788\ub294 \ub4dc\ub85c\uc789\uacfc \uadf8 \uc704\uc5d0 \uce60\ud574\uc9c4 \uae43\ud138 \uac19\uc740 \ubd93\uc790\uad6d\uae4c\uc9c0\ub3c4 \uc0c9\ucc44\uc758 \uacf5\uac04\uc801 \uad6c\uc131\uacfc \uadf8 \uc9c8\ub7c9\uc774 \ub9cc\ub4dc\ub294 \uc74c\uc545\uc758 \uc77c\ubd80\uac00 \ub418\uba70 \ud615\ud0dc\ub97c \uc554\uc2dc\ud558\ub294 \uc5ed\ud560\uc744 \ud558\uace0 \uc788\ub2e4. \uc774\ub7f0 \uc774\uc720\ub85c \ub3c5\uc77c\uc758 \ube44\ud3c9\uac00 \uc904\ub9ac\uc5b4\uc2a4 \ub9c8\uc774\uc5b4 \uadf8\ub77c\ud504\ub294 \ud615\ud0dc\uc640 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\uc704\uc5d0\uc11c \uc6c0\uc9c1\uc774\ub294 \ubd93\uc790\uad6d\uc740\u00a0 \ubd80\ub4dc\ub7fd\uc9c0\ub9cc, \uce68\ubb35\ud558\uc9c4 \uc54a\ub294\ub2e4. \ubd93\uc744 \uc950\uace0 \uc788\ub294 \uc190\uc740 \uce94\ubc84\uc2a4\uc5d0 \uc9c1\uc811 \ub9d0\ud558\uace0, \uc6b0\ub9ac\uc5d0\uac8c\ub3c4 \ub2e8\ub3c4\uc9c1\uc785\uc801\uc778 \ubc29\uc2dd\uc73c\ub85c \ub9d0\uc744 \uac74\ub128\ub2e4. \uc9c0\ub098\uce58\uac8c \uc6b0\uc544\ud558\uc9c0\ub3c4, \uad50\uc721\uc801\uc774\uc9c0\ub3c4 \uc54a\uc73c\uba74\uc11c\u00a0 \ubb38\ud654\uc5d0 \ub300\ud55c \uae30\uc5b5\uc774 \ub9cc\ub4dc\ub294 \uae4a\uc774\uc5d0 \ub2e4\ub2e4\ub978\ub2e4. \ubb3c\uac10\uc73c\ub85c \ub9d0\ud558\ub294 \ub974\ub204\uc544\ub974\uc758 \ubaa9\uc18c\ub9ac\ub294 \uba85\ub8cc\ud558\uace0 \uc774\ud574\ud558\uae30 \uc27d\ub2e4.<\/p>\n \uadf8\ub9bc\uc758 \ub0b4\uc6a9\uc801\uc778 \uce21\uba74\uc5d0\uc11c \ub974\ub204\uc544\ub974\ub294 \uc6b0\ub9ac\uc758 \ud3ec\ub974\ub178\uc801 \uc2dc\uac01\uc774 \uce58\uc6cc\ub450\uc5c8\ub358 \uadf8\ub9ac\uc2a4\uc758 \ubbf8\uc801 \uc774\uc0c1\uc744 \ucd94\uad6c\ud558\uc600\ub2e4. \uc5d0\ub85c\uc2a4\uc640 \uc774\uc131\uc758 \ud569\uc77c, \uadf8\ub9ac\uace0 \uc21c\uc218\uc758 \uc21c\uac04\uc744 \ud45c\ud604\ud558\uace0 \ub610\ud55c \uc0b4\uace0\uc790 \ud558\ub294 \uc608\uc220\uac00\uc758 \uc695\ub9dd\uc774 \ub0b4\uc7ac\ub41c \uc644\ubcbd\ud55c \uc21c\uac04\uc744 \ucc3e\uc73c\ub824 \ud55c \uac83\uc774\ub2e4. \uc774\uc0c1\uc801 \uc544\ub984\ub2e4\uc6c0\uc5d0 \ub2e4\ub2e4\ub974\uace0\uc790 \ud558\ub294 \ucd94\uc0c1\uc801 \ud615\ud0dc\ub294 \uc774 \uc21c\uac04 \uc2e4\uc7acreal\uac00 \ub418\uc5c8\ub2e4. \uc80a\uc740 \uc5ec\uc131\uc758 \uc131\uc219\ud574\uac00\ub294 \ubab8\uc774 \uc774 \ub9e4\uac1c\uccb4\ub85c \uc0ac\uc6a9\ub41c \uac83\uc740 \uc6b0\ub9ac\uc758 \ubb38\ud654\uc0ac\uac00 \ub0b3\uc740 \ubbf8\uc2a4\ud130\ub9ac\ub85c, \uc774\uc81c \uc6b0\ub9ac\ub294 \uc2dc\uac04 \uc18d\uc5d0 \uc774\ub97c \uc783\uc5b4\ubc84\ub838\uc9c0\ub9cc, \ub974\ub204\uc544\ub974\uc5d0\uac8c\ub294 \uc790\uc5f0\uc2a4\ub7ec\uc6b4 \uc77c\uc774\uc5c8\ub2e4.<\/p>\n\t RELATED POSTS<\/p>\n\tThe CLUMSY Plan It is crucial to be aware of depth in appreciating the painting of Renoir. It can bring the viewer in contact with the abstraction of volume in a leg or hip achieved not by modelling light and dark but by an almost magical direct attack on color modulations which never succumb only to value. This constitutes his most important quality, the one that consistently promotes him to the pantheon of great painters..<\/p>\n","protected":false},"author":321,"featured_media":264,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"tpl-no-header-footer.php","format":"standard","meta":{"footnotes":""},"categories":[160,158],"tags":[21],"class_list":["post-38611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bruce-gagnier","category-writing","tag-brucegagnier"],"_links":{"self":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/users\/321"}],"replies":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/comments?post=38611"}],"version-history":[{"count":2,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38611\/revisions"}],"predecessor-version":[{"id":38900,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38611\/revisions\/38900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media\/264"}],"wp:attachment":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media?parent=38611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/categories?post=38611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/tags?post=38611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\t\tThe Spring, Pierre Auguste Renoir, 1915\n\t
PLASTIC AWARENESS THAT WE NEED TO SEE RENOIR<\/strong>
<\/p>\n
MODELED VOLUMIC FORM BY USING COLORS<\/strong><\/p>\n\t\t\t\t\n\t\tThe Bathers, Pierre Auguste Renoir, 1915\n\t
ACHIEVED A SENSATION OF TOUCH BY THE MOVEMENT OF COLORS<\/strong>
<\/p>\n\n\t\tPierre Auguste Renoir, Landscape at Noon, 1900\n\t
<\/p>\n\n\t\tSelf-portrait with a White Hat, Pierre Auguste Renoir, 1910\n\t
\nAddress : 4Fl. 199 Itaewon-ro (Itaewon-dong) Yongsan-gu, Seoul
\nInquiry : 02 – 723 – 2973, info@thomasparkgallery.com
\n\uc774\uc6a9\uc57d\uad00<\/a>\u00a0 \uc815\uae30\uacfc\uae08\uc774\uc6a9\uc57d\uad00<\/a> \u00a0\uac1c\uc778\uc815\ubcf4\ucde8\uae09\ubc29\uce68<\/a>\n\n","protected":false},"excerpt":{"rendered":"