{"id":38614,"date":"2022-04-01T11:29:37","date_gmt":"2022-04-01T02:29:37","guid":{"rendered":"https:\/\/clumsy.site\/en\/?p=38614"},"modified":"2022-10-28T07:53:03","modified_gmt":"2022-10-27T22:53:03","slug":"elementor-209","status":"publish","type":"post","link":"https:\/\/clumsy.site\/en\/blog-elementor-209\/","title":{"rendered":"Clumsy Preface"},"content":{"rendered":"\n\n\tPreface
\n\uc11c\ubb38\n\t:Very Old Wisdom, Radically New Life
\n\uc544\uc8fc \uc624\ub798\ub41c \uc9c0\ud61c, \uc644\uc804\ud788 \uc0c8\ub85c\uc6b4 \uc0b6\n\t
01<\/p>\n\t
Text and Translation by Mimi Park \ubc15\uc0c1\ubbf8<\/p>\n\t Looking back, there were two moments which became the seeds of this book.<\/p>\n\n\n\n\n\n\n\n<\/section>\n\t\t\t\t\n\t One of the moments occurred while I was traveling in Italy. After attending a summer program, I had a week to travel. Friends said I should go to Venice, but instead I went to Ischia, one of the islands in the Bay of Naples. I was reading Barthes’ book of essays then. In discussing Twombly’s art in one of his essays, Barthes mentioned the Mediterranean sea and sky, using the term like “the Rare.” Something was touched inside the young me. I had to go see and experience the place that he was talking about. Although I had already known and loved Twombly then, I wasn’t aware that he had lived in such places. When I first saw his work, as shocked as I was, I also felt I immediately understood what he was trying to do. Beautifully “lost” lines that cross between writing and drawing, drawing and painting, the old and the radically new, manifesting a love of poetry and myths, the eros of it all. I had to go see the sky and the ocean behind his work. Imagining how Twombly would be inspired by the Mediterranean air, I spent a week there. The fear of traveling alone was gone by the end; I didn’t want to go home.<\/p>\n\n\n\n\n\n\n\n<\/section>\n\t\t\t\t\n\t Another moment came when I was in Seoul, Korea, years later. I was kind of stuck there. I was based in Seoul, when I got involved in a car accident in London during a work trip. There were many surgeries, and long recoveries. In and out of the hospital, I was living in Seoul for the first time in my adult life. Though I was experiencing culture shock as well as the physical and mental stress that ensued from surgery, I enjoyed the beauty of Korean nature, its craft and calligraphy. I had never really appreciated traditional Korean culture when I was growing up. I was mostly into Western art and literature. Now that I was all grown up, and had lived in New York for many years, things looked much different. I even moved to an old neighborhood with traditional Korean houses. And I traveled to places in Korea. Even when I was still on crutches, I made myself travel to the southern part of Korea, where beautiful mountains and rivers are. The landscape is generous and sensuous. One day, I was invited to a Chinese classics reading club. We mostly read poetry and prose by renowned writers. After the class, with classmates who were connoisseurs and writers of Korean culture, architects and artists, I had the chance to talk about the beauty of Korean ceramics, furniture and architecture. I was simultaneously excited and frustrated; Excited by the beauty of Korean craft, and frustrated by the lack of the discussion around it. I had this vague feeling that I should do something with this discovery.<\/p>\n The title “CLUMSY” is a quote from Tao Te Ching 45. It says that as the highest state of accomplishment appears imperfect, and the greatest eloquence appears hesitant (or lethargic), the greatest skill appears clumsy. When I shared my idea of the title with a friend who is knowledgeable about art, he didn’t think it was a good idea to use the word. He thought the words negative tone wouldn’t be suitable to convey the esthetic I care about.\u00a0Given that it is difficult to understand all the paradoxes embedded in Eastern culture, most notably the ideas within Tao Te Ching, the concept of Clumsy is not easily deciphered.<\/p>\n\t\t\t\t\n\t Clumsy does not mean it is constructed by an untrained hand or without care. It means when a highly trained person lets go of their mind, the intention to excel, even the self, and is present in the process of making, it could allow a certain form to enter (or exit) the work. This mature, “fermented” state of form resembles the force of nature with its generosity, irregularity and emptiness. This form can be found in, notably, Moon Jars, the Korean white porcelain. This form of maturity allows one to enter and be a part of its experience, its beauty.<\/p>\n Even though it was not until later in my life when I began to read Tao Te Ching, my love for “clumsy” began early. Undoubtedly with Cy Twombly, for one, as I\u00a0was amazed by his ability to let go of his trained hand as an artist. Even for people with no training, it is very difficult to “scribble” without a preconception of scribbling. Try it, and see how yours resemble others’ conventional doodles. (A friend of mine actually did this challenge, and proved himself wrong upon saying that he could draw like that) You must be completely “absent-minded” to “lose” your hand, to forget what you have seen before. I knew that in one aspect, it was hard, but also that it was important. In a way, Modern art began with the methodical losing of the “hand.” Consider Cezanne, and his Bathers. Look at Monet. Look at Picasso. Modernism was all about “unlearning” classical technique, the Renaissance stuff.\u00a0Challenging prior beliefs that human beings held. After learning all the things you can studiously, “unlearn” to invent something new, even to rebirth. In order to do that you need to let go. It is, in fact, that art is an art of letting go.<\/p>\n\t\t\t\t\n\t\t\u904a\u6231\u4e09\u6627, Gim Jeong-hui, 18c\u00a0\n\t As the world has been changing its form to an unrecognizable degree, I often had the urge to think of something old- radically old. Also I wanted to talk about esthetics that have grown old within me. Since I started writing about it, I once again realized that my taste and esthetics are not just limited to something visual. As Ralph Waldo Emerson said that all the things are related and connected infinitely, the esthetics of an individual is an attitude, and can also be ethics when it is extended to life. The characteristics of Korean artifacts are simple, humble, and natural; Modern art began with losing the skill of the Academy. The shared methodology of these two different cultural heritages is to let go of what is already known. This led to the phrase I learned from Tao Te Ching, “the greatest skill appears clumsy.” Whatever you do, whether it is playing golf or writing an essay, the key is to let go of your thoughts and be present in the making. When we let go of intention to do better, and free our minds, generous form will enter our lives. 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\uba74\uc5d0\uc11c \uadf8\ub7ec\ud55c \uc219\ub828\ub41c \uae30\uc220\uacfc \uae30\uad50\ub97c \ub0b4\ub824\ub193\ub294 \uccb4\uacc4\uc801\uc778 \uc804\uac1c \uacfc\uc815\uc774\ub77c \ud560 \uc218 \uc788\ub2e4. \uc138\uc794\uc744 \ubcf4\uace0 \ubaa8\ub124\ub97c \ubcf4\ub77c. \uc774\ub4e4\uc774 \uc6d0\uadfc\ubc95\uc744 \ud574\uccb4\ud588\uace0 \uc11d\uc870\uac74\ubb3c\uc744 \ucf00\uc774\ud06c\ucc98\ub7fc \ubd80\uc11c\uc9c0\ub4ef \uadf8\ub838\ub2e4. \uadf8\ub9ac\uace0 \ud53c\uce74\uc18c\ub97c \ubcf4\ub77c. \ub2f9\uc2e0 \uc544\ubc84\uc9c0\ub294 \ud53c\uce74\uc18c\uc758 \uadf8\ub9bc\uc744 \ubcf4\uba70 “\ub124 \uc0b4\uc9dc\ub9ac\ub3c4 \uadf8\ub9ac\uaca0\ub2e4.”\ub77c\uace0 \ub9d0\ud560 \uac83\uc774\ub2e4. \ubaa8\ub354\ub2c8\uc998\uc740 \uace0\uc804\uc801\uc778 \uae30\uc220, \ub974\ub124\uc0c1\uc2a4\uc758 \uc804\ud1b5\uc744 \ubc84\ub9ac\ub294, ‘\uc5ed\ud559\uc2b5unlearn’ \uc791\uc5c5\uc774\uc5c8\ub2e4\uace0 \ud560 \uc218 \uc788\ub294 \uac83\uc774\ub2e4. \uc778\ub958\uac00 \uac16\uace0 \uc788\ub358 \ubbff\uc74c\uc5d0 \ub3c4\uc804\ud558\uace0 \uc0c8\ub85c\uc6b4 \uac83\uc758 \ucc3d\uc870\ub97c \uc704\ud574, \uc6b0\ub9ac\ub294 \ubc30\uc6b4 \uac83\uc744 \ubc84\ub9ac\ub294 \uac83\uc774\ub2e4. \uc774\ub97c \uc704\ud574\uc11c \uc6b0\ub9ac\ub294 \ub0b4\ub824\ub193\uc544\uc57c \ud55c\ub2e4. \uc2e4\uc81c\ub85c \uc608\uc220\uc740 \ub0b4\ub824\ub193\uc74c\uc758 \uae30\uc220\uc774\ub2e4.<\/p>\n\t\t\t\t\n\t\tRiverbanks, Paul Cezanne, 1905\u00a0\n\t ‘\ud074\ub7fc\uc9c0’\uc758 \uc2dc\uc791\uc740 \ucc45\uc774\uc5c8\ub2e4. \uc815\uc2e0\uc5c6\uc774 \ubcc0\ud654\ud558\ub294 \uc138\uc0c1 \uc18d\uc5d0\uc11c \ud604\uae30\uc99d\uc744 \ub290\ub07c\uc9c0 \uc54a\uae30 \uc704\ud574\uc11c\uc600\uc744\uae4c. \ub0b4 \uc548\uc5d0\uc11c \uc624\ub798 \uc775\uc5b4\uc628 \ubbf8\ud559\uc5d0 \uad00\ud55c \uc774\uc57c\uae30\ub97c \uc4f0\uace0 \uc2f6\uc5c8\ub2e4. \uae00\uc744 \uc4f0\uba70 \uc0c8\uc0bc\uc2a4\ub808 \ub290\ub07c\uac8c \ub418\uc5c8\uc9c0\ub9cc, \ub0b4 \uc548\uc5d0\uc11c \uc790\ub77c\ub09c \ubbf8\ud559\uc740 \ubc18\ub4dc\uc2dc \uc2dc\uac01 \uc608\uc220\uc5d0 \uadf8\uce58\ub294 \uac83\uc774 \uc544\ub2c8\uc5c8\ub2e4. \ub784\ud504 \uc648\ub3c4 \uc5d0\uba38\uc2a8\uc774 \ubaa8\ub4e0 \uac83\uc740 \uc11c\ub85c \ubb34\ud55c\ud788 \uc5f0\uacb0\ub418\uc5b4 \uc788\ub2e4\uace0 \ud588\ub4ef\uc774 \uc5b4\ub5a4 \ubbf8\ud559\uc740 \ud558\ub098\uc758 \ud0dc\ub3c4\uc774\uace0, \uc774\uac83\uc740 \uc0b6\uc73c\ub85c \ud655\ub300\ub418\uc5b4 \ud55c \uc0ac\ub78c\uc758 \uc724\ub9ac\uac00 \ub418\uae30\ub3c4 \ud55c\ub2e4. \ud55c\uad6d\uc758 \ubbf8\ub294 \uc18c\ubc15\ud558\uace0 \uc790\uc5f0\uc2a4\ub7ec\uc6b4 \ud2b9\uc9d5\uc744 \uc9c0\ub2c8\uace0, \ubaa8\ub358 \uc544\ud2b8\ub294 \uc544\uce74\ub370\ubbf8\uc801 \uae30\uad50\ub97c \ubd80\uc218\ub294 \ubc29\ubc95\ub860\uc73c\ub85c \uc2dc\uc791\ud588\ub2e4. \uc774 \ub458 \uac04\uc758 \uacf5\ud1b5\uc810\uc774 \ub0b4\ub824\ub193\uc74c\uc758 \ubbf8\ud559, \ud0dc\ub3c4\ub77c\ub294 \uac83\uc774 \ubcf4\uc600\uace0, \uc774\ub294 \ub3c4\ub355\uacbd \uc18d\uc5d0\uc11c \ub0b4\uac00 \uc88b\uc544\ud558\ub294 \ubb38\uad6c ‘\ub300\uad50\uc57d\uc878’\uacfc \ubc14\ub85c \uc5f0\uacb0\ub41c\ub2e4\ub294 \uc810\ub3c4 \uc54c\uac8c \ub418\uc5c8\ub2e4. \uc5b4\ub5a4 \ubd84\uc57c\uc774\ub4e0, \uadf8\uac83\uc774 \uc2a4\ud3ec\uce20\uac00 \ub418\uc5c8\ub358 \uc18c\uc124 \uc4f0\uae30\uac00 \ub418\uc5c8\ub4e0, \uacfc\uc815\uc5d0 \uc55e\uc11c\uac00\ub294 \uc695\uc2ec\uacfc \uc0dd\uac01\uc744 \ub0b4\ub824\ub193\uc9c0 \uc54a\uc73c\uba74 \uc88b\uc740 \uc131\uacfc\uac00 \ub098\uc624\uc9c0 \uc54a\ub294\ub2e4. \ud55c\ud3b8, \uc6b0\ub9ac\ub294 \uadf8\ub3d9\uc548 \uc131\uacfc\uc8fc\uc758, \ub2a5\ub825\uc8fc\uc758\uc5d0 \uc54c\uac8c \ubaa8\ub974\uac8c \ud76c\uc0dd\ub418\uc5b4 \uc654\ub2e4. \uc131\uacfc\ub97c \uc704\ud55c \uc0b6\uc774\ub780 \uc55e\ub4a4\uac00 \ubc14\ub010 \uc0ac\uace0\ubc29\uc2dd\uc774\ub2e4. \uc6b0\ub9ac\uac00 \uc758\ub3c4\uc640 \uc695\uc2ec\uc744 \ub0b4\ub824\ub193\uace0 \ud589\ubcf5\ud574\uc9c8 \ub54c \uc5bb\uc744 \uc218 \uc788\ub294 \uac83 \uc911 \ud558\ub098\uac00 \uc131\uacfc\uc774\uc9c0, \uadf8 \ubc18\ub300\ub294 \uc544\ub2cc \uac83\uc774\ub2e4. \uc55e\uc11c\uace0\uc790 \ub2ec\ub824\uac00\ub824\ub294 \ubc14\uc05c \ub9c8\uc74c\uc744 \ub0b4\ub824\ub193\uc744 \ub54c, \ub108\uadf8\ub7ec\uc6b4 \ud615\ud0dc\uc640 \uace0\ud1b5 \uc5c6\ub294 \uc0c1\ud0dc\uac00 \uc790\uc5f0\uc2a4\ub808 \ub530\ub77c\uc624\uac8c \ub41c\ub2e4. \uc778\ub958\uc758 \uc624\ub798\ub41c \uc9c0\ud61c, \ube44\uc6c0\uc744 \ud1b5\ud574 \uc0c8\ub85c\uc6b4 \uc0b6\uc758 \uc2a4\ud0c0\uc77c\uc744 \uafb8\ub824\ub098\uac08 \ub54c, \uc774\uac83\uc774 \uacb0\uad6d \uc120\u79aa\uc774\uace0, \ub610 \uac00\uc7a5 \ud604\ub300\uc801\uc778 \uac83\uc774 \uc544\ub2d0\uae4c.<\/p>\n\tMimi Park RELATED POSTS<\/p>\n\tThe CLUMSY Plan Looking back, there were two moments, which became the seeds of this book. One of the moments occurred while I was traveling in Italy. After attending a summer art program, I had a week to travel. Friends said I should go to Venice, but instead I went to Ischia, one of the islands in the Bay of Naples. I was reading Barthes\u2019 book of essays..<\/p>\n","protected":false},"author":321,"featured_media":118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"tpl-no-header-footer.php","format":"standard","meta":{"footnotes":""},"categories":[166,158],"tags":[20],"class_list":["post-38614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mimi-park","category-writing","tag-mimipark"],"_links":{"self":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/users\/321"}],"replies":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/comments?post=38614"}],"version-history":[{"count":2,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38614\/revisions"}],"predecessor-version":[{"id":38899,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/posts\/38614\/revisions\/38899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media\/118"}],"wp:attachment":[{"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/media?parent=38614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/categories?post=38614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clumsy.site\/en\/wp-json\/wp\/v2\/tags?post=38614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\nWriter, Translator\/
\nCreative Director at CLUMSY and TPNY\n\ubc15\uc0c1\ubbf8
\n\uc791\uac00, \ubc88\uc5ed\uac00\/
\n\ud074\ub7fc\uc9c0, TPNY\uc758 \ud06c\ub9ac\uc5d0\uc774\ud2f0\ube0c \ub514\ub809\ud130\n\t\t\t\t\n\t
\nAddress : 4Fl. 199 Itaewon-ro (Itaewon-dong) Yongsan-gu, Seoul
\nInquiry : 02 – 723 – 2973, info@thomasparkgallery.com
\n\uc774\uc6a9\uc57d\uad00<\/a>\u00a0 \uc815\uae30\uacfc\uae08\uc774\uc6a9\uc57d\uad00<\/a> \u00a0\uac1c\uc778\uc815\ubcf4\ucde8\uae09\ubc29\uce68<\/a>\n\n","protected":false},"excerpt":{"rendered":"