{"id":24189,"date":"2022-01-22T12:41:41","date_gmt":"2022-01-22T03:41:41","guid":{"rendered":"https:\/\/clumsy.site\/\/?post_type=product&p=24189"},"modified":"2022-02-07T07:55:57","modified_gmt":"2022-02-06T22:55:57","slug":"greg-colson-marfa","status":"publish","type":"product","link":"https:\/\/clumsy.site\/en\/product\/greg-colson-marfa\/","title":{"rendered":"GREG COLSON – MARFA"},"content":{"rendered":"
MARFA<\/strong><\/span><\/p>\n 2014 Colson\u2019s \u201cMARFA\u201d is a sculptural drawing made with straight sections that are bolted and bracketed together. The joining together of cut pieces of metal and wood by unpainted bolts echoes Judd\u2019s combinations of fabricated boxes, especially the ones he did after a 1983 trip to Switzerland, where he learned about a small company that used coats of pigmented powder, instead of paint, to color sheets of aluminum.\u00a0There is something very American and New World about Colson\u2019s \u201cMARFA.\u201d This is not an Old World or European-style map.<\/p>\n This is what I find captivating about Colson\u2019s deadpan work: he reveals something about the way we live \u2014 through a map, a pie chart, or the silhouette of a piece of machinery \u2014 that makes me curious to know more about the subjects he chooses, while underscoring how little I might actually notice about the world we commonly share, its constant parade of signs.<\/p>\n
\nenamel, acrylic, pencil, ink on wood, metal, plastic
\n132 x\u00a0 x 25.1 x 7.6 cm
\n52 x 64 x 3 inches<\/p>\n","protected":false},"excerpt":{"rendered":"